Serigraph painting is also known as screen printing or silkscreen printing. It involves pressing ink through a stenciled mesh screen to create a desired image or pattern. Serigraphs are unique in their versatility, allowing artists to create prints with various colors, textures, and finishes.

In this comprehensive guide, we will explore the history of serigraphy. Also, we will deepen the serigraph printing process as well as the qualities distinguishing serigraph paintings from other types of prints. Lastly, their value and collectability in the art market.

History of Serigraph Painting

The origins of serigraphy go back to ancient China and Japan, where silk screens were used to create intricate fabric designs. However, it was in the early 20th century that serigraphy began to be used as a fine art form. The American artist, Andy Warhol, was among the first to popularize serigraphy in the 1960s, creating iconic images of celebrities and consumer products. Since then, serigraphy has become a popular medium for contemporary artists and a staple in the world of commercial printing.

Serigraph Printing Process

The serigraph printing process involves several steps. First, an artist creates a design or image they wish to print. Next, he transfers the design onto a fine mesh screen, stretching it over a frame. The areas of the screen that are not part of the design are blocked off with a stencil. Ink is then applied to the screen and forced through the exposed areas using a squeegee. Each color in the design requires a separate screen, and the process is repeated for each color until the final image is complete.

Qualities of Serigraph Paintings

One of the defining characteristics of serigraph paintings is their rich, vibrant colors. Serigraphs have a unique texture and depth that is difficult to achieve with other printing methods. This is because the ink is applied directly to the print’s surface.

Serigraphs can also be printed on a wide range of materials, including paper, canvas, and fabric, allowing for greater versatility in artistic expression. Finally, because serigraphs are handmade and require multiple screens and passes to create, they are often more limited in edition size than other types of prints, which can increase their value and collectability.

Value and Collectability

The value and collectability of a serigraph painting depend on the artist, the edition size, and the print’s condition. Limited-edition serigraphs signed and numbered by the artist are generally more valuable than open-edition prints. Additionally, serigraphs in excellent condition, will command higher prices in the art market. As with any work of art, a serigraph’s value depends on the buyer’s preferences and the demand for the artist’s work. 

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The art world is continuously evolving, with a new generation of talented female painters emerging, each offering unique perspectives and creativity on canvas. These artists blend tradition with innovation, pushing boundaries and challenging the norms of contemporary art. They significantly impact the art scene, captivating audiences with their thought-provoking works. From bold abstract explorations to intimate portrayals of personal identity, these painters symbolize the future of contemporary art and are ones to watch in the coming years.

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Monika Morito

Monika Morito is an emerging artist based in Munich, known for her ability to blend her Filipino heritage with contemporary abstract art. After studying communication design, she transitioned to art in 2021, allowing her to express her deep connections to nature and her nostalgia for her homeland through her work.

Her artwork is characterized by vibrant colors and abstract forms, often inspired by the lush landscapes of the Philippines. Morito explores themes of longing and memory, capturing the essence of her childhood experiences amidst tropical environments. Her pieces frequently feature playful elements, such as swaying palm trees and dynamic shapes, creating a captivating visual interplay of textures.

Morito’s art invites viewers to reflect on their connections to nature and nostalgia, establishing her as a noteworthy figure in the contemporary art scene.

Follow Monika Morito on Instagram >

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Mathilde Polidori

Mathilde Polidori is a talented French artist and muralist born in Lyon in 1987, currently residing in Paris. Her artistic journey is defined by her unique approach to painting, utilizing oils on canvas and creating large-scale murals that explore themes of light and color. Polidori’s work is celebrated for its vibrant aesthetics and emotive resonance, inviting viewers to appreciate the small beauties of everyday life.

Establishing her studio in her family home in Paris, Polidori draws inspiration from her surroundings and personal experiences, significantly influencing her creative process. Her artwork has garnered recognition nationally and internationally, exhibiting in various venues across France and the United States.

Polidori’s artistic practice embodies a blend of personal narrative and universal themes, establishing her as an important figure in contemporary art.

Follow Mathilde Polidori on Instagram >

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Barbara d’Angelo Mansson

Barbara D’Angelo Månsson is an accomplished Italian-Swedish artist known for her unique approach to contemporary abstract painting. Born in Italy and currently residing in Sweden, Månsson draws inspiration from the diverse artistic heritage of Scandinavia and her everyday experiences in the tranquil Swedish landscape.

Her artistic practice combines traditional and contemporary techniques, resulting in textured pieces that explore the interplay between abstraction and analysis. Månsson’s paintings reflect her fascination with human nature and its impact on the world, often as a visual commentary on her surroundings.

As a self-taught artist, she embraces scientific rigor in her creative process, enriching her works with depth and narrative. Månsson’s art invites viewers to engage with both personal and universal themes, establishing her as a significant figure in the contemporary art scene.

Follow Barbara d’Angelo Mansson on Instagram >

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Moka Lee

Moka Lee is a South Korean figurative painter, born in 1996, who is celebrated for her evocative portraits and vibrant still lifes that explore themes of identity and perception. Based in Seoul, Lee captures the essence of youthful moments, often reflecting the complexities of modern social interactions through her art.

Her work is distinguished by a unique blend of realism and a slightly nostalgic aesthetic reminiscent of 1990s photography, bridging the gap between personal experiences and broader cultural narratives. Lee’s portraits predominantly focus on young women, exploring the contrasts between their true selves and the images they project in an age dominated by social media.

Lee earned her MFA from the Korean National University of Arts in 2022, and she has exhibited her work in several notable venues, including the SeMA (Seoul Museum of Art). Her art continues to resonate with audiences, offering a reflective look at contemporary life through a colorful and intimate lens.

Follow Moka Lee on Instagram >

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Vanessa Van Meerhaeghe

Vanessa Van Meerhaeghe is a contemporary painter and illustrator based in Ronse, Belgium. With a strong background in fashion design from the Royal Academy of Fine Arts in Ghent, she brings a unique perspective to her artwork. After spending over two decades in the fashion industry, she made a bold transition to painting, which allowed her to explore more introspective themes and artistic expressions.

Her work often reflects a blend of her fashion design sensibilities and her passion for illustration, resulting in vibrant, expressive pieces that capture both the fluidity of movement and the intricacies of human emotion. Vanessa emphasizes the importance of drawing and the creative process, noting that her love for sketching significantly influences her painting style.

Today, she continues to develop her art practice while also engaging in commercial projects, showcasing her versatility as an artist.

Follow Vanessa Van Meerhaeghe on Instagram > 

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Joanna Pilarczyk

Joanna Pilarczyk is a contemporary figurative painter based in London. Originally from Poland, she was born in 1980 in Gubin, a town located on the border with Germany. Joanna has been passionate about art from a young age, beginning to paint and draw at just five years old.

Her work is characterized by a vibrant color palette and dynamic compositions that blend elements of energy and introspection. She predominantly uses oils, acrylics, and spray paint, creating a unique visual language that often reflects her personal experiences and emotions.

Joanna’s artistic journey includes studying at the Art University in Zielona Góra, which provided a solid foundation for her career. She has gained recognition not only for her paintings but also for her contributions to various art fairs and exhibitions, including the Women in Art Fair 2024. Through her art, Pilarczyk continues to explore and celebrate the complexities of the human experience.

Follow Joanna Pilarczyk on Instagram >

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Ronald Zambrano’s works focus investigates the discipline of painting through color. Almost all his work develops through layers and natural pigments. Ronald covers parts of the canvas while leaving other areas only partially empty. Abstract art allows him to explore painting with freedom, to live the journey as an experience with its different stages to reach the recognition of the identity.

The harmony he reaches is honest and vibrant, an explicit conversation about himself through pigments and forms. The chosen colors and shapes resemble physical nature, such as plants and water, or genuine feelings like anger and joy. Although each area of his canvas may also stand alone, it is undeniable how every element in his paintings functions as a whole.

We had an exclusive interview with Ronald. Get comfy and enjoy reading it!

Let’s start from the basics. What’s your name, and where have you grown up?

My name is Ronald Zambrano. I was born in San Cristobal, Venezuela, a city in the Venezuelan Andes. I lived there for the first stage of my life, where I studied art and language, and literature. Later I came to Europe to spend a year in Vienna, working as an assistant to an artist called Karl Goldammer. Finally, I settled in Madrid, where I got a master’s degree in criticism and practice of contemporary art.

When or how have you understood you wanted to become an artist?

As a child, I painted the walls of my house. Back then, I wasn’t aware of art, so I started to be mindful of color, and slowly something awoke in me. It was when my mother gave me a box full of colored pencils that I began spending hours drawing and painting.

Please briefly describe your technique and tell us what drives you to make art.

I work with color, and I create paintings from pure pigments. I also use sprays, acrylics, and oils.

What is the main feature that has changed in your work or practice?

I used to work more with figurative art, but development and artistic research led me to abstraction. Even if I never rejected figurative art, I prioritized looking for the prominence of color.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I like different artists, Peter Zimmerman, Cruz Diez, Joseph Beuys, and some classics like Turner and TiZIANO. I also like music and literature.

How would you like people to engage with your work?

I want people to feel a relationship between print and memory. These are two of the points I mainly work on, and I like the viewer to catch this when looking at my piece immediately.

Spread the word! Do you have anything exciting on the horizon?

I am currently painting a lot while also working on objects and installations to strengthen contacts with galleries and art spaces. 

Follow Ronald on Instagram! 

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Otto Baum (b. 1979, East Berlin) studied textile and surface design at the Kunsthochschule Berlin-Weißensee, and now lives and works in Berlin.

He is currently creating stunning videos of himself making murals, usually large format, geometric and monochromatic while testing his latest OttoTools. OttoTools are his investigation of trying out various everyday tools for large-format painting mediums. He usually uses wooden slats, a few brushes, and screws and combines them into a new painting tool.

 

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Hand lettering and abstract painting

Otto holds multiple accounts for his art practice, ranging from prints to objects to murals and letterforms. He calls a project of much of his hand lettering work “Wallphabets,” a hybrid of alphabets written directly onto walls. For him, it’s about the craft itself, the shape of the letters, and transferring them analogously to the wall, so he practices his skills with the brush to draw these beautiful writings by hand.

Baum is fascinated by simple forms, the feel, and the structure of materials such as wood and paper. He is interested in how unpredictable analog printing techniques such as linocuts or monotypes can be.

 

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Un post condiviso da Otto Baum Handlettering (@otto_baum)

KLUB7 Collective

Otto Baum has been part of the KLUB7 since 2004, an art collective of visual artists based in Berlin and Halle, Germany. Their focus is on producing large-format murals and site-specific performances in public spaces. As KLUB7, they have all gained excellent visibility and experience from different backgrounds in the arts over the years.

KLUB7 uses graphic, pictorial, abstract, and figurative works between fine and applied art. They have shown their work at international exhibitions and are involved in interdisciplinary projects. Through synthesizing their styles, they have developed a group style that is both playful and handcrafted. Go here to discover more. https://klub7.de/

Old Yellow Creative Studio

Defined as his ‘main job’ in his link bio on the Instagram profile, Otto is proudly part of a Berlin-based creative studio founded in 2014. Old Yellow works at the intersection between art and design for clients, agencies, architects, and interior designers to create inspirational objects or spaces. Old Yellow ranges from art consulting or small designs to extensive concepts comprising all kinds of artistic media. 

Go here to learn more. https://oldyellow.de/

Otto Baum NFTs on OpenSea

Discover Otto Baums’ recent NFT collection on OpenSea.

He says on his OpenSea profile page: 

My focus is on the analog process. This means producing specific sequences with a rigid drawing tool to create large-scale shapes and patterns that I can then adorn ornamentally. 

Go here to discover more. https://opensea.io/collection/ottobaum-collection

LINKS:

https://www.instagram.com/ottobaumart/

https://oldyellow.de/ – https://www.instagram.com/oldyellowberlin/

https://www.instagram.com/otto_baum/

https://www.instagram.com/ottobaumshop/

https://klub7.de/

https://artists.klub7.de/ottobaum/

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Tola Navarro (b.1984) lives in Caracas, Venezuela. He is a sculptor’s grandson and a Chilean poet’s son. Tola holds a degree in Architecture with a minor in Art History from the Universidad del Desarrollo. 

His CV sees collaborations with the famous architect Cazú Zegers and the real estate project Varanda 7, together with the renowned architect Emilio Arancibia. In 2016 and 2018, he participated in contemporary art research residencies in Lima and Sao Paulo, respectively. 

Tola’s exhibitions already include ones at Galería Arte Espacio, ArtStgo, and Faxxi. In 2019 he was invited to a residency in Contemporary Art in Sao Paulo, and in 2020, after his father passed away, he decided to build a permanent workshop in Batuco, Chile.

We recently had a fascinating interview with Tola, through which he deepened his art and creative practice. 

Hello Tola, nice to have you here. Let’s start from the basics. What’s your name, and where have you grown up?

Hello, my full name is Tola Navarro. I was born in Caracas, Venezuela. I now live in Santiago, Chile.

How did you understand you would have become an artist?

I have indeed been a painter all my life. Since I can remember, I have wanted to paint and create new work. Although I have wanted to become an artist since school, it was only around 2015 that I decided to become a full-time one.

Please briefly describe your technique and tell us what drives you to make art.

My art mainly consists of spray paint on paper. It is a technique that I define as ‘origami inspired’ as it combines paper foldings with geometric and abstract work. The desire to create beautiful new work drives me to create never seen works that inspire people.

What is the main feature that has changed in your works or practice throughout the years?

Practice, experimentation, and a lot of work make me grow. I wake up early every day and go to my workshop to work on new pieces.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I love what Felipe Pantone is doing. CNC machining and the incredible potential of 3d printing.

Finally, how would you like people to engage with your work?

I want them to genuinely look at what it is, spray on paper. 

My work doesn’t reflect anything outside of its inner potential, it is what it is.

Each piece is an experience of pure visual pleasure and exploration. It embraces you with itself in its spaces of color, light, and shadows.

Go here to visit Tola’s website or follow him on Instagram >

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The Art Show 2024 is a premier annual event organized by the Art Dealers Association of America, benefiting Henry Street Settlement. This renowned art fair showcases both contemporary and historical works from top galleries, fostering vital connections and supporting essential social services within New York City.

The inviting atmosphere of The Art Show encourages visitors to connect with gallerists and explore an eclectic range of artworks by diverse artists from around the world. Attendees can also enjoy compelling artist performances and enlightening keynote talks, offering a rich tapestry of cultural experiences and exceptional artwork.

The Art Show Benefit Preview

The Art Show Benefit Preview is the highlight event for those seeking an exclusive first look at the art before it opens to the public. Blending the art scene with philanthropy, this exclusive preview attracts collectors, business leaders, and charity representatives from around the globe, all of whom contribute to funding Henry Street Settlement’s impactful programs.

Henry Street Settlement: Supporting New Yorkers

As Henry Street Settlement’s largest source of unrestricted funding, The Art Show has raised over $37 million for the nonprofit organization in over 30 years of collaboration. This partnership enables the creation of a unique art experience that supports essential services for more than 50,000 New Yorkers annually.

Sustainability Initiatives at The Art Show

The Art Show is committed to sustainability and is following a Sustainability Roadmap in collaboration with partners including Gensler, Henry Street Settlement, Sanford L. Smith + Associates, and AXA XL. This initiative aims to minimize environmental impact, achieving significant waste reduction and sustainable practices in 2022 and 2023, with plans for continued improvements in 2024.

Key sustainability accomplishments include:

– 2022: Successful waste reduction through digitalization, plant-based decorations, and the use of LED lighting.
– 2023: Focus on reducing food waste, utilizing compostable packaging, and expanding the Climate Impact Report (CIR) initiative, with participation from over 30 exhibitors.

To further support sustainability, The Art Show has developed an ADAA members webinar to guide galleries in creating effective climate action plans and made its first donation to a land conservation project.

Event Details: Hours and Location

Benefit Preview: Date: Tuesday, October 29, 2024
Location: Park Avenue Armory (67th Street and Park Avenue, NYC)

Assisted Access:
For individuals requiring assisted access, a sidewalk-level entrance is available at 103 East 66th Street, just east of Park Avenue. Visitors may ring the service bell upon arrival or arrange assistance in advance by contacting the main security desk at 212-616-3950, extension 1. Wheelchairs can be requested at the show office by calling +1 212-777-5218.

Transportation Options

– Citi Bike Docks:
– 67th and Park Avenue
– 81st Street and Park Avenue

– Subway:
– 6 Train at 69th Street and Lexington Avenue
– F & Q Trains at 63rd Street and Lexington Avenue

– Buses:
– M101, M102, or M103

Go here to get your tickets!

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Tanmaya Bingham is a prominent visual artist and educator with over a decade of experience exhibiting her work nationally and internationally. She holds a Master of Fine Arts (MFA) and has undergone extensive fine art training.

Currently, she serves as the Gallery Director and Instructor at Indiana State University and is the owner and founder of Visual Artist Capital LLC, where she supports other artists. Bingham is also actively involved in helping artists overcome limiting beliefs related to their practice.

 

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Un post condiviso da Tanmaya Bingham (@tanmayabingham)

Capturing Duality in Art: The Essence of Vitrification for Tanmaya Bingham

As we delve into the world of Tanmaya Bingham’s porcelain creations, we are reminded of the beauty that lies within our complexities.

In the contemporary art landscape, few mediums evoke the fragility and strength of the human experience quite like porcelain. Tanmaya Bingham’s latest series, “Porcelain 2024,” compellingly explores this duality through a unique blend of mixed media, paint, and colored pencil on panel. The artistry behind her works is not just in the stunning visual representations; it lies deeply rooted in the emotional narratives they convey.

At first glance, Bingham’s work presents a striking visual of vulnerability and resilience. The term *vitrification*—the process of converting a material into a glass or a glass-like substance—aptly describes how her subjects are portrayed amidst life’s myriad pressures. In “Porcelain,” each brushstroke and colored pencil line highlights the human condition’s precarious balance between presence and absence. Bingham immerses her viewers in a complex emotional landscape, offering a mirror into the psyche often obscured by societal expectations.

Unpacking the Human Experience

Bingham’s subjects possess a remarkable intensity that invites viewers to engage with their narratives. Their gazes—confrontational yet introspective—suggest a rawness that resonates with our shared human experiences. The juxtaposition between their bold expressions and their exposed, almost vulnerable forms fosters a dialogue on acceptance and the oft-hidden aspects of self-identity. In this way, Bingham challenges us to confront our competing emotions and societal pressures that shape our perceptions of beauty and self-worth.

Tanmaya Bingham’s Attention to Detail

What sets Bingham’s work apart is her meticulous attention to detail and hyper-realistic portrayal of human features. The intricacies of skin textures, nuanced expressions, and even perceived imperfections play a crucial role in her artistic dialogue. By amplifying socially constructed flaws, she skillfully opens up conversations about the nature of acceptance—both of ourselves and others.

Through this technique, Bingham’s art transcends mere visuals; it becomes a visceral experience that compels us to reflect on our narratives. Just as porcelain is revered for its beauty and fragility, so too are her subjects revered as embodiments of our vulnerabilities.

The Impact of Color and Background

The stark white backgrounds that accompany Bingham’s subjects serve multiple purposes. Primarily, they offer a sense of isolation, emphasizing the subjects, while allowing audiences to focus on their narratives without distractions. The use of color becomes a vital element in conveying emotion—a quieter yet powerful visual strategy that speaks volumes about the interplay between light and shadow in our lives.

The Symbolism of Porcelain

Porcelain is more than just a material; it symbolizes the transitory nature of human experience. Just as porcelain can be molded and shaped, so too can our identities be influenced, challenged, and transformed. Bingham skillfully intertwines this symbolism into her work, making each piece a reflection of individual journeys. The fragility of porcelain parallels the emotional fragility experienced in moments of upheaval, reinforcing the idea that beauty often emerges from vulnerability.

Confronting Rawness: Engaging with the Audience

In “Porcelain 2024,” Bingham extends an invitation for introspection and connection. Her artworks pose important questions about our societal roles and the burdens of expectation we carry. They demand that we face the parts of ourselves that we often hide from the world—the imperfections, the scars, and the truths we are hesitant to share.

This unfiltered representation encourages authenticity, inviting viewers to embrace their complexities. Bingham’s work is more than a visual representation; it’s a movement toward acknowledging and accepting the multifaceted nature of being human.

Reshaping Perspectives

As we journey into the future of art, Bingham’s “Porcelain 2024” series serves as a poignant reminder of the importance of vulnerability in creativity. Artists like Bingham not only reshape our perspectives on beauty and identity, but also pave the way for dialogue about acceptance and the human experience.

Bingham’s bold narratives encourage both artists and audiences to explore their truths—turning fragility into strength and vulnerability into empowerment.

Tanmaya Bingham’s “Porcelain” series is a brilliant exploration of human emotion that utilizes the delicate medium of porcelain as a powerful metaphor. Through her intricate details, confrontational gazes, and stark backgrounds, she invites viewers into a world where vulnerability and resilience coexist harmoniously.

By challenging societal perceptions of beauty and encouraging authenticity, Bingham’s work resonates deeply, ensuring that her exploration of the human condition will linger in the minds and hearts of her audience long after they leave the gallery.

Click here to go to her website >

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French duo Zim&Zou create paper art installations for a wide range of international clients such as Microsoft, ICON,Hermès, TIME, Washington Post, ENI, Der Spiegel, La Rinascente e il Centre Pompidou.

Zim&Zou is a young duo composed of Lucie Thomas (b. 1987) and Thibaut Zimmermann (b. 1986). They both started as graphic designers, working in publishing and advertising. After a few years, they focused on installations using handcrafted objects made out of paper, wood, threads, etc.

Work Process

All of Zim&Zou’s works are not computer design based but handcrafted! Their favorite material is paper, which they cut, fold, glue to create colorful sculptures.

Paper is the most versatile of mediums to them, as for its unique colors and textures. The final artwork is an installation rich in poetry and shapes of any complexity. Their visual style focuses on exciting and whimsical scenes. Colorful buildings, giant flowers, and vegetation, natural landscapes are filled with huge seafood to become the main characters of their creations.  ‘Life is everywhere; flowers are growing and carry away its inhabitants in their impetus. The mysterious people are evolving, building, and living right in the heart of nature, revealing a fragment of their daily life.’

MUSEUM OF SUPERNATURAL HISTORY – Artist Windows for Hermès Maison Shanghai.

The concept is inspired by a Museum of Natural History, melted with a Cabinet of Curiosities. The windows, hand-made with paper and leather, are an invitation to wander. Passers-by were suddenly walking through the corridors of a mysterious Museum, straight from the street. The themes take impulse from nature; the two main windows are about Air and Water, and the two smaller ones around Earth. All the animals are carefully handcrafted using leather offcuts from Hermès workshops in Paris. In the water-themed window, a 5 meters dinosaur paper skull is swimming through the room (plesiosaurus skull)—the whole project required almost three months of work and a great local team’s support.

EXODUS

‘EXODUS’ is an ode to Travel. Thrown in a continuous movement, the aircraft colony crosses time and space toward an unknown outcome. Like birds stuck in an endless migration, they’re pursuing their hope of an elsewhere.

The bright pink, blue, and purple aircraft are entirely hand-made. Each body displays multiple geometric patterns created with cut and stacked paper that match the rest of the fleet. Thrown in a constant movement, the aircraft colony crosses time and space toward an unknown outcome. 

Zim&Zou is today called by international big firms to set-up and stage windows and visual merchandise as well as magazine content and covers.

Visit their online shop for purchase or go to their website here.

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Olatunji Benjamin is a Nigerian contemporary painter and a mixed media Artist. He was trained as a painter at the School of Art at the Yaba College of Technology in Lagos before he started his explorative research. He earned the General Art’s national diploma and later specialized in painting which gained him a Higher National Diploma. While in school, he had the opportunity to meet great artists engaging in collaborative projects.

His work experience with other artists acquired him more exposure.

However, before 2010, when Olatunji discovered himself as an artist, he was an apprentice under different masters most of who were realists. He started as an impressionist, and realist, and now is an abstract expressionist.

He explores the pictorial potential of pure abstraction. He uses a visual language of shape, form, color, and line to create a composition that exists with a degree of independence from visual references in the world.

Hue&Eye interviewed him to discover more about what drove Olatunji to make art.

Let’s start from the basics. What’s your name and where have you grown up?

My name is Olatunji Benjamin, I grew up in Lagos, Nigeria, Africa.

When or how have you understood you wanted to become an artist?

I understood I would be an artist at the age of ten as I could draw on any surface with any material.

May you briefly describe your technique and tell us what drives you to make art?

My artwork’s technique is primarily underpainting. I allow the first layer of the background color to reflect in the final painting.

The drive for making art comes from the inner struggles of reality. Creating art is a spiritual enlightenment for me, it speaks about my subconsciousness which I believe can also liberate others who see my art.

What is the main feature that has changed in your works or practice throughout the years?

The main feature that has changed in my works is moving from realism to abstract expressionism, figurative abstract, and now figurative surrealism.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I’m inspired by Kehinde Wiley, and above visual art, music keeps me motivated. I love playing the piano.

How would you like people to engage with your work?

I would like people to engage with my work by sharing via different platforms, or by having a sense of ownership.

To purchase Olatunji’s artwork, go here >>>

Or to follow him on Instagram, go here >>>

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Oliver Marsden was born in the UK in 1973. His artistic practice revolves around perception, the possibilities of movement, and the fluidity of color, sound, and order. Marsden explores the behavior and properties of paint, creating pulsations and echoes of color. Marsden has a formal grounding in geometry that often corresponds to the forms of periodic oscillations, such as the vibrations of simple sounds, like that which a tuning fork can produce.

Oliver Marsden has participated in over 60 group exhibitions in places such as Vigo Gallery, Dubai, UAE (201/); Maddox Gallery London (2017), Kresge Art Museum, Michigan, USA (2010), and held solo exhibitions at venues like Vigo/Liaigre Gallery, London, UK (2020); Galería Hilario Galguera, Mexico City, Mexico (2015), and Koumi Machi Kougen Museum, Koumi, Japan (2009), among others. He has received prestigious awards and recognitions, including the Prince’s Trust Award in England in 2000 and The Arthur Anderson Prize for Best Young Artist, Scotland in 1995. His work is part of important collections around the world, such as the Jumex Foundation, Mexico, and the Horiuchi Collection, Japan, among others.

About the Exhibition ‘All We Have Is Now’ by Oliver Marsden

September 12th – November 8th, 2024

Galería Hilario Galguera Madrid is pleased to present the exhibition All We Have is Now, by British artist Oliver Marsden. Through his most emblematic series, the exhibition explores different concepts of synergy between the human condition, technology, and nature from our perceptual capacity. Memory, energy, sound, and spirituality are optimized in minimalist paintings that reflect a universal contemplative understanding.

Expanding the cross-border reach of Marsden’s pictorial language, the exhibition will be presented simultaneously at our Mexico City location, and it will also open in September.

A hypnotic sensation permeates the gallery space. Despite the silence and stillness, circular paintings from different series convey a sense of movement, perhaps evoking their origin: an analysis of the impact of sound on water and the materiality of sound waves led to the creation of the Harmonics series, which later evolved into the OM Halo and Stella series. Even during their creation, the artist remains almost motionless while the paintings rotate on their own to absorb oil or acrylic. The Spiral Void series explores the emptiness that has been studied throughout history in philosophy and art. The circles in the series seem to turn into mirrors, reflecting the doubts and thoughts of each individual.

These series create a phenomenon the artist calls a perceptual leap, where the sense of depth is lost, and the viewer feels as if they are inside the painting, in a meditative field. The reduction of the painting to seemingly simple elements and forms is an attempt by the artist to investigate a universal truth when halos and aureoles of saints and Buddhas can be interpreted, but also the displacement of energy in the form of light and sound.

The Grid series examines reality through sacred geometry with meticulously painted grids in acrylic. Inspired by the geometric structures found in nature and the cosmos, these works aim to reveal the order and harmony hidden in the apparent chaos of the contemporary world.

Similarly, the Fade series offers an escape from the disorder and oversaturation of today’s urbanity. Its faded colors are ghosts of the way the artist stores memories in his mind. Memories of family moments, the movement and feeling of air, sunsets, sunrises, or fog, the artist captures specific moments with gradient tones, seeking to replicate the sensation of each experience, turning a unique experience into universal feelings.

All We Have is Now invites us to lose ourselves for a moment in the present, capturing our gaze and captivating us with a language that transcends cultural differences to offer an introspective space for reflection and peace. Marsden’s work comes as a much-needed breath before our return to everyday life.

The exhibition will open at Galería Hilario Galguera Madrid on September 12th and remain open to the public until November 8th, 2024.

About the Galeria Hilario Galguera

Galería Hilario Galguera opened in Mexico City in 2006 as a space for the discussion and promotion of Mexican and international contemporary art. Since then, it has showcased and disseminated the work of artists known for their relevant and complex proposals on conceptual, social, political, and formal levels, as well as for their aesthetic rigor and precision.

Currently, the Hilario Galguera Gallery operates in both Mexico City and Madrid, representing artists such as David Bailey, Willem Boel, Maxime Brigou, James hd Brown, Peter Buggenhout, Daniel Buren, Marie Cloquet, Stijn Cole, John Copeland, Maisie Cousins, Martin Eder, Israel Gonzáles Matador, Damien Hirst, Athina Ioannou, Enrique Ježik, Jannis Kounellis, Perla Krauze, Francisco Larios, Daniel Lezama, Oliver Marsden, Gabriel O’Shea, Roosmarijn Pallandt, Issa Salliander and Bosco Sodi.

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