Rachele Moneta was born in Rome on May 20, 2000. She enrolled in a painting course at the Academy of Fine Arts and, from 2017 to 2020, also attended a private art course. During this time, she discovered her strong predilection towards various painting techniques. Rachele experimented with different mediums, including pencils, charcoal, watercolors, and acrylics. Finally, she found her passion in figurative art, using oil painting as her primary medium.

In December 2018, she participated in her first service camp in Nairobi with the GiacomoGiacomo ETS association, a very significant and intense experience. After a break during the pandemic, she returned to Nairobi in December 2022, and has done so every year since.

Rachele’s Art Technique & The African Influence

Upon her return from the camp in 2022, the idea for these paintings was born, created using the technique of oil painting on African fabric. Essentially, after assembling the wooden frame, instead of applying a white canvas, Rachele uses the fabric to paint directly on it. This idea emerged from her need to convey the experience she had, the reality she encountered during the camps, and the people she met. Struggling to express all this and her e motions in words, she decided to tell it visually. The individuals Rachele portrays are indeed all the children, women, and young people she met and who left a mark on her.

The paintings aim to invite viewers to open their eyes and hearts to this reality.

“The African fabrics in the background provide an additional cultural dimension, passing through the visual experience, while the children and people depicted represent the sweetness and the ability to make you feel welcomed despite differences,” Rachele explains.

In September 2023 and 2024, with the GiacomoGiacomo association, Rachele held two fundraising events, during which she displayed some of her paintings, which were then sold at auction, also for fundraising purposes.

In August 2024, she had her solo exhibition at the Camaldoli Monastery in the province of Arezzo.

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David Samuel Stern was born in 1982 in Highland Park, a suburban city in Lake County (IL, USA). He got an MFA at the Washington University in 2006 and now lives and works in Brooklyn, NY.

As a child, he didn’t think about art much until taking a darkroom-photography course during a high-school summer break. From that moment on, thanks to that summer course and once learned the medium, David began to take art seriously.

Work

His latest work, Woven Portraits 2020, is the result of photographic prints on translucent vellum. David physically cut and weaved together by hand two portraits of the same person. He then merges them into one another to create an exciting pattern and incredible texture. Finally, carefully cuts them apart. The attempt he aims at by doing this is to give portraits a sort of abstraction to allow the subjects to hide within themselves. He indeed states on his website: “In hiding something we reveal others.” Also, to David, the process of making something is as necessary as the thing itself.

Technique

Each piece of the Woven Portrait series is a physically unique and one-of-a-kind portrait. The photographs, all taken in a lighting studio and printed on vellum, are all large-scale prints.

The palette of light and the delicate contrasts maximize the effect of overlapping two sides of a human being. By doing this, David generates two different emotions. The portraits are caught in one mid-motion, a mix of two attempts of an action.

David transforms the photographic prints by creating a painterly atmosphere. His method is simple yet powerful. However, the abstraction of his work hides elements and details of the portraits as well.

David features in several creative international magazines and has already exhibited both in various solo and group shows.

Discover more about David Samuel Stern here.

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Serigraph painting is also known as screen printing or silkscreen printing. It involves pressing ink through a stenciled mesh screen to create a desired image or pattern. Serigraphs are unique in their versatility, allowing artists to create prints with various colors, textures, and finishes.

In this comprehensive guide, we will explore the history of serigraphy. Also, we will deepen the serigraph printing process as well as the qualities distinguishing serigraph paintings from other types of prints. Lastly, their value and collectability in the art market.

History of Serigraph Painting

The origins of serigraphy go back to ancient China and Japan, where silk screens were used to create intricate fabric designs. However, it was in the early 20th century that serigraphy began to be used as a fine art form. The American artist, Andy Warhol, was among the first to popularize serigraphy in the 1960s, creating iconic images of celebrities and consumer products. Since then, serigraphy has become a popular medium for contemporary artists and a staple in the world of commercial printing.

Serigraph Printing Process

The serigraph printing process involves several steps. First, an artist creates a design or image they wish to print. Next, he transfers the design onto a fine mesh screen, stretching it over a frame. The areas of the screen that are not part of the design are blocked off with a stencil. Ink is then applied to the screen and forced through the exposed areas using a squeegee. Each color in the design requires a separate screen, and the process is repeated for each color until the final image is complete.

Qualities of Serigraph Paintings

One of the defining characteristics of serigraph paintings is their rich, vibrant colors. Serigraphs have a unique texture and depth that is difficult to achieve with other printing methods. This is because the ink is applied directly to the print’s surface.

Serigraphs can also be printed on a wide range of materials, including paper, canvas, and fabric, allowing for greater versatility in artistic expression. Finally, because serigraphs are handmade and require multiple screens and passes to create, they are often more limited in edition size than other types of prints, which can increase their value and collectability.

Value and Collectability

The value and collectability of a serigraph painting depend on the artist, the edition size, and the print’s condition. Limited-edition serigraphs signed and numbered by the artist are generally more valuable than open-edition prints. Additionally, serigraphs in excellent condition, will command higher prices in the art market. As with any work of art, a serigraph’s value depends on the buyer’s preferences and the demand for the artist’s work. 

Read similar articles on Hue&Eye >>>

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Alberto Seveso’s story begins in Milan, Italy, where he was born in 1976. Growing up in Sardinia, a region known for its serene landscapes and rich culture, Seveso’s environment undoubtedly shaped his creative mind.

From a young age, Seveso was drawn to the visual arts. Pencils and sketchpads were his constant companions, but it wasn’t just traditional art forms that captured his attention. As a child of the 80s, he was mesmerized by the explosion of graphic design in pop culture—think neon colors, bold typography, and eye-catching album covers.

Alberto Seveso’s Influences from the Digital Era

The rise of the internet and computer graphics in the 90s marked a pivotal point for Seveso. It was a time when technology changed how art could be created and consumed. The fusion of art and technology became his playground, with programs like Photoshop opening up a world of possibilities.

For Alberto Seveso, the transition from traditional mediums to digital art was both challenging and rewarding.

He initially worked with analog techniques, experimenting with photography and graphic design. But it was the allure of digital tools that ultimately pulled him in. Learning to manipulate images digitally was like discovering a new language, one he quickly became fluent in.

His early experiments caught the attention of the online art community. Websites and forums dedicated to graphic design showcased his innovative use of color and form, sparking interest in his work.

Alberto Seveso’s artworks are an explosion of colors and textures that feel organic and otherworldly.

The “Dispersion” Effect

Seveso is best known for his dispersion technique, where images appear to break apart into vibrant particles. This effect, often used in portraits, feels almost like a burst of creative energy frozen in time.

One of Seveso’s trademarks is blending photography with graphic elements. His portraits often start with real photographs, which he then transforms into surreal compositions using digital tools.

Alberto relies heavily on Adobe Photoshop and Illustrator, but he’s also known to experiment with 3D modeling software and other design tools to achieve his visionary results.

Over the years, Seveso’s work has found its way into magazines, advertising campaigns, and even album covers, solidifying his status as a modern art icon.

His collaborations with international brands like Adobe, Nikon, and Bacardi have not only expanded his audience but also showcased the versatility of his art.

Seveso’s work in the music industry deserves special mention. From designing vibrant album covers to contributing to music videos, his influence on pop culture is undeniable.

Go here to discover his portfolio on Behance or follow Alberto non Instagram >>>

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The art world is continuously evolving, with a new generation of talented female painters emerging, each offering unique perspectives and creativity on canvas. These artists blend tradition with innovation, pushing boundaries and challenging the norms of contemporary art. They significantly impact the art scene, captivating audiences with their thought-provoking works. From bold abstract explorations to intimate portrayals of personal identity, these painters symbolize the future of contemporary art and are ones to watch in the coming years.

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Monika Morito

Monika Morito is an emerging artist based in Munich, known for her ability to blend her Filipino heritage with contemporary abstract art. After studying communication design, she transitioned to art in 2021, allowing her to express her deep connections to nature and her nostalgia for her homeland through her work.

Her artwork is characterized by vibrant colors and abstract forms, often inspired by the lush landscapes of the Philippines. Morito explores themes of longing and memory, capturing the essence of her childhood experiences amidst tropical environments. Her pieces frequently feature playful elements, such as swaying palm trees and dynamic shapes, creating a captivating visual interplay of textures.

Morito’s art invites viewers to reflect on their connections to nature and nostalgia, establishing her as a noteworthy figure in the contemporary art scene.

Follow Monika Morito on Instagram >

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Mathilde Polidori

Mathilde Polidori is a talented French artist and muralist born in Lyon in 1987, currently residing in Paris. Her artistic journey is defined by her unique approach to painting, utilizing oils on canvas and creating large-scale murals that explore themes of light and color. Polidori’s work is celebrated for its vibrant aesthetics and emotive resonance, inviting viewers to appreciate the small beauties of everyday life.

Establishing her studio in her family home in Paris, Polidori draws inspiration from her surroundings and personal experiences, significantly influencing her creative process. Her artwork has garnered recognition nationally and internationally, exhibiting in various venues across France and the United States.

Polidori’s artistic practice embodies a blend of personal narrative and universal themes, establishing her as an important figure in contemporary art.

Follow Mathilde Polidori on Instagram >

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Barbara d’Angelo Mansson

Barbara D’Angelo Månsson is an accomplished Italian-Swedish artist known for her unique approach to contemporary abstract painting. Born in Italy and currently residing in Sweden, Månsson draws inspiration from the diverse artistic heritage of Scandinavia and her everyday experiences in the tranquil Swedish landscape.

Her artistic practice combines traditional and contemporary techniques, resulting in textured pieces that explore the interplay between abstraction and analysis. Månsson’s paintings reflect her fascination with human nature and its impact on the world, often as a visual commentary on her surroundings.

As a self-taught artist, she embraces scientific rigor in her creative process, enriching her works with depth and narrative. Månsson’s art invites viewers to engage with both personal and universal themes, establishing her as a significant figure in the contemporary art scene.

Follow Barbara d’Angelo Mansson on Instagram >

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Moka Lee

Moka Lee is a South Korean figurative painter, born in 1996, who is celebrated for her evocative portraits and vibrant still lifes that explore themes of identity and perception. Based in Seoul, Lee captures the essence of youthful moments, often reflecting the complexities of modern social interactions through her art.

Her work is distinguished by a unique blend of realism and a slightly nostalgic aesthetic reminiscent of 1990s photography, bridging the gap between personal experiences and broader cultural narratives. Lee’s portraits predominantly focus on young women, exploring the contrasts between their true selves and the images they project in an age dominated by social media.

Lee earned her MFA from the Korean National University of Arts in 2022, and she has exhibited her work in several notable venues, including the SeMA (Seoul Museum of Art). Her art continues to resonate with audiences, offering a reflective look at contemporary life through a colorful and intimate lens.

Follow Moka Lee on Instagram >

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Vanessa Van Meerhaeghe

Vanessa Van Meerhaeghe is a contemporary painter and illustrator based in Ronse, Belgium. With a strong background in fashion design from the Royal Academy of Fine Arts in Ghent, she brings a unique perspective to her artwork. After spending over two decades in the fashion industry, she made a bold transition to painting, which allowed her to explore more introspective themes and artistic expressions.

Her work often reflects a blend of her fashion design sensibilities and her passion for illustration, resulting in vibrant, expressive pieces that capture both the fluidity of movement and the intricacies of human emotion. Vanessa emphasizes the importance of drawing and the creative process, noting that her love for sketching significantly influences her painting style.

Today, she continues to develop her art practice while also engaging in commercial projects, showcasing her versatility as an artist.

Follow Vanessa Van Meerhaeghe on Instagram > 

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Joanna Pilarczyk

Joanna Pilarczyk is a contemporary figurative painter based in London. Originally from Poland, she was born in 1980 in Gubin, a town located on the border with Germany. Joanna has been passionate about art from a young age, beginning to paint and draw at just five years old.

Her work is characterized by a vibrant color palette and dynamic compositions that blend elements of energy and introspection. She predominantly uses oils, acrylics, and spray paint, creating a unique visual language that often reflects her personal experiences and emotions.

Joanna’s artistic journey includes studying at the Art University in Zielona Góra, which provided a solid foundation for her career. She has gained recognition not only for her paintings but also for her contributions to various art fairs and exhibitions, including the Women in Art Fair 2024. Through her art, Pilarczyk continues to explore and celebrate the complexities of the human experience.

Follow Joanna Pilarczyk on Instagram >

The post 6 Must-Follow Emerging Female Painters to Watch in 2025 appeared first on Hue & Eye.

Ronald Zambrano’s works focus investigates the discipline of painting through color. Almost all his work develops through layers and natural pigments. Ronald covers parts of the canvas while leaving other areas only partially empty. Abstract art allows him to explore painting with freedom, to live the journey as an experience with its different stages to reach the recognition of the identity.

The harmony he reaches is honest and vibrant, an explicit conversation about himself through pigments and forms. The chosen colors and shapes resemble physical nature, such as plants and water, or genuine feelings like anger and joy. Although each area of his canvas may also stand alone, it is undeniable how every element in his paintings functions as a whole.

We had an exclusive interview with Ronald. Get comfy and enjoy reading it!

Let’s start from the basics. What’s your name, and where have you grown up?

My name is Ronald Zambrano. I was born in San Cristobal, Venezuela, a city in the Venezuelan Andes. I lived there for the first stage of my life, where I studied art and language, and literature. Later I came to Europe to spend a year in Vienna, working as an assistant to an artist called Karl Goldammer. Finally, I settled in Madrid, where I got a master’s degree in criticism and practice of contemporary art.

When or how have you understood you wanted to become an artist?

As a child, I painted the walls of my house. Back then, I wasn’t aware of art, so I started to be mindful of color, and slowly something awoke in me. It was when my mother gave me a box full of colored pencils that I began spending hours drawing and painting.

Please briefly describe your technique and tell us what drives you to make art.

I work with color, and I create paintings from pure pigments. I also use sprays, acrylics, and oils.

What is the main feature that has changed in your work or practice?

I used to work more with figurative art, but development and artistic research led me to abstraction. Even if I never rejected figurative art, I prioritized looking for the prominence of color.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I like different artists, Peter Zimmerman, Cruz Diez, Joseph Beuys, and some classics like Turner and TiZIANO. I also like music and literature.

How would you like people to engage with your work?

I want people to feel a relationship between print and memory. These are two of the points I mainly work on, and I like the viewer to catch this when looking at my piece immediately.

Spread the word! Do you have anything exciting on the horizon?

I am currently painting a lot while also working on objects and installations to strengthen contacts with galleries and art spaces. 

Follow Ronald on Instagram! 

The post Ronald Zambrano | Exploring Painting Through Colors appeared first on Hue & Eye.

Martin O’Neill was born in London. The Graphic illustrator Artist creates collages for a wide range of International clients through publishing, advertising, design, and installation work.

He has worked as an illustrator and artist for two decades and regularly exhibits his personal collages, sketchbooks, and prints. He is also a visiting lecturer across the UK. Martin lives and works on England’s South East coast with his wife and two daughters.

His international clients encompass advertising, design, editorial, publishing, as well as regular contributions to the UK and US press including Sony Playstation, Faber Faber, Capital One, EMI Music, Wired USA, Camel & GQ India.

Cut It Out Studio

Martin’s work evolves from a fusion of collage, silkscreen, paint, photocopies, and digital techniques. He works from a vast archive of found and self-generated material and also works with stock and supplied imagery.

Years of experimentation have resulted in a unique style and brand image.

Martin works from his studio, Cut it Out, a space he owns since 2003 together with his creative partner Jackiem Parsons. They moved from London’s Kentish Town to St Leonard’s on Sea some 60k south of the capital and set up a Studio on the coast.

Graham Rawle On Martin O’Neill

Graham Rawle is a writer, artist, and designer. He has produced regular series which include ‘Lying Doggo’ and ‘Graham Rawle’s Wonder Quiz’ for The Observer and ‘When Words Collide’ and ‘Pardon Mrs. Arden’ for The Sunday Telegraph Magazine and ‘Bright Ideas’ for The Times. He is a Visiting Professor in Illustration at the Norwich University of the Arts where in 2012 he was awarded an Honorary Doctorate for services to design. He lives in London.

To this extent, these of the recent words of Graham Rowle on Martin O’Neill.

“As an avid scavenger of ephemera, Martin O’Neill’s glorious compositions begin long before he assembles them as images. He seems to carry these found treasures in his head while the stowed physical pieces lie dormant in an erratic filing system of studio file drawers (…) until the right moment comes along.”

“Because he sees the inherent value in every tiny piece, he develops a unique relationship with his archive. This makes all the difference when he brings everything together in an image because we feel what he feels; his passion is infectious. “

And he will continue. “Working intuitively allows him to spot potential combinations, recognizing and then capitalizing on serendipity and the element of chance. While the final choices are informed by assiduously honed design skills.

“He has an enviable sense of composition, balancing shape, color, line, texture, and type with a precision that makes it all seem effortless. You have to have a really good eye to do all that. And Martin O’Neill has the best. He is a true master of collage.” – Graham Rawle. June 2019

Martin’s capability relies on being an international contemporary illustrator by keeping his old school technique his strong point of recognition.

Get inspired by his fascinating style and visual strength. Check out his work here.

The post Martin O’Neill | Illustrator Artist appeared first on Hue & Eye.

Born in Milan in 1982, Andrea discovered photography as a simple passion. It eventually took all his interest, and so the camera became inseparable. Despite not being a professional photographer, he puts everything in the frame and lets the image go beyond his profession without seeking a label.

Hello Andrea. When or how have you understood you wanted to become an artist?

About six years ago, I got bored of seeing only stupid pictures on social media, so I started looking for something more interesting by myself.

Can you briefly tell us more about your technique and what drives you to make art?

Street photography as it is invariably sincere. I love watching people. I aim for the beauty and the ugly of the mundane.

What is the main feature that has changed in your works or practice?

I’d say that color consciousness is something I improved and that I adjusted in my work.  

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

Garry Winogrand for his ability to find something interesting in the everyday.

How would you like people to engage with your work?

I push people to simply imagining the situation they are staring at in the image, to live it with empathy, figuring out how the character could have been before or will be after that actual shot.

Follow Andrea Lo Maglio on Instagram.

The post Andrea Lo Maglio | The Beauty And The Ugly Of The Everyday appeared first on Hue & Eye.

Otto Baum (b. 1979, East Berlin) studied textile and surface design at the Kunsthochschule Berlin-Weißensee, and now lives and works in Berlin.

He is currently creating stunning videos of himself making murals, usually large format, geometric and monochromatic while testing his latest OttoTools. OttoTools are his investigation of trying out various everyday tools for large-format painting mediums. He usually uses wooden slats, a few brushes, and screws and combines them into a new painting tool.

 

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Un post condiviso da Otto Baum (@ottobaumart)

 

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Un post condiviso da Alexander Jackert (@alexanderjackert)

Hand lettering and abstract painting

Otto holds multiple accounts for his art practice, ranging from prints to objects to murals and letterforms. He calls a project of much of his hand lettering work “Wallphabets,” a hybrid of alphabets written directly onto walls. For him, it’s about the craft itself, the shape of the letters, and transferring them analogously to the wall, so he practices his skills with the brush to draw these beautiful writings by hand.

Baum is fascinated by simple forms, the feel, and the structure of materials such as wood and paper. He is interested in how unpredictable analog printing techniques such as linocuts or monotypes can be.

 

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Un post condiviso da Otto Baum Handlettering (@otto_baum)

KLUB7 Collective

Otto Baum has been part of the KLUB7 since 2004, an art collective of visual artists based in Berlin and Halle, Germany. Their focus is on producing large-format murals and site-specific performances in public spaces. As KLUB7, they have all gained excellent visibility and experience from different backgrounds in the arts over the years.

KLUB7 uses graphic, pictorial, abstract, and figurative works between fine and applied art. They have shown their work at international exhibitions and are involved in interdisciplinary projects. Through synthesizing their styles, they have developed a group style that is both playful and handcrafted. Go here to discover more. https://klub7.de/

Old Yellow Creative Studio

Defined as his ‘main job’ in his link bio on the Instagram profile, Otto is proudly part of a Berlin-based creative studio founded in 2014. Old Yellow works at the intersection between art and design for clients, agencies, architects, and interior designers to create inspirational objects or spaces. Old Yellow ranges from art consulting or small designs to extensive concepts comprising all kinds of artistic media. 

Go here to learn more. https://oldyellow.de/

Otto Baum NFTs on OpenSea

Discover Otto Baums’ recent NFT collection on OpenSea.

He says on his OpenSea profile page: 

My focus is on the analog process. This means producing specific sequences with a rigid drawing tool to create large-scale shapes and patterns that I can then adorn ornamentally. 

Go here to discover more. https://opensea.io/collection/ottobaum-collection

LINKS:

https://www.instagram.com/ottobaumart/

https://oldyellow.de/ – https://www.instagram.com/oldyellowberlin/

https://www.instagram.com/otto_baum/

https://www.instagram.com/ottobaumshop/

https://klub7.de/

https://artists.klub7.de/ottobaum/

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Tola Navarro (b.1984) lives in Caracas, Venezuela. He is a sculptor’s grandson and a Chilean poet’s son. Tola holds a degree in Architecture with a minor in Art History from the Universidad del Desarrollo. 

His CV sees collaborations with the famous architect Cazú Zegers and the real estate project Varanda 7, together with the renowned architect Emilio Arancibia. In 2016 and 2018, he participated in contemporary art research residencies in Lima and Sao Paulo, respectively. 

Tola’s exhibitions already include ones at Galería Arte Espacio, ArtStgo, and Faxxi. In 2019 he was invited to a residency in Contemporary Art in Sao Paulo, and in 2020, after his father passed away, he decided to build a permanent workshop in Batuco, Chile.

We recently had a fascinating interview with Tola, through which he deepened his art and creative practice. 

Hello Tola, nice to have you here. Let’s start from the basics. What’s your name, and where have you grown up?

Hello, my full name is Tola Navarro. I was born in Caracas, Venezuela. I now live in Santiago, Chile.

How did you understand you would have become an artist?

I have indeed been a painter all my life. Since I can remember, I have wanted to paint and create new work. Although I have wanted to become an artist since school, it was only around 2015 that I decided to become a full-time one.

Please briefly describe your technique and tell us what drives you to make art.

My art mainly consists of spray paint on paper. It is a technique that I define as ‘origami inspired’ as it combines paper foldings with geometric and abstract work. The desire to create beautiful new work drives me to create never seen works that inspire people.

What is the main feature that has changed in your works or practice throughout the years?

Practice, experimentation, and a lot of work make me grow. I wake up early every day and go to my workshop to work on new pieces.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I love what Felipe Pantone is doing. CNC machining and the incredible potential of 3d printing.

Finally, how would you like people to engage with your work?

I want them to genuinely look at what it is, spray on paper. 

My work doesn’t reflect anything outside of its inner potential, it is what it is.

Each piece is an experience of pure visual pleasure and exploration. It embraces you with itself in its spaces of color, light, and shadows.

Go here to visit Tola’s website or follow him on Instagram >

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