Rachele Moneta was born in Rome on May 20, 2000. She enrolled in a painting course at the Academy of Fine Arts and, from 2017 to 2020, also attended a private art course. During this time, she discovered her strong predilection towards various painting techniques. Rachele experimented with different mediums, including pencils, charcoal, watercolors, and acrylics. Finally, she found her passion in figurative art, using oil painting as her primary medium.

In December 2018, she participated in her first service camp in Nairobi with the GiacomoGiacomo ETS association, a very significant and intense experience. After a break during the pandemic, she returned to Nairobi in December 2022, and has done so every year since.

Rachele’s Art Technique & The African Influence

Upon her return from the camp in 2022, the idea for these paintings was born, created using the technique of oil painting on African fabric. Essentially, after assembling the wooden frame, instead of applying a white canvas, Rachele uses the fabric to paint directly on it. This idea emerged from her need to convey the experience she had, the reality she encountered during the camps, and the people she met. Struggling to express all this and her e motions in words, she decided to tell it visually. The individuals Rachele portrays are indeed all the children, women, and young people she met and who left a mark on her.

The paintings aim to invite viewers to open their eyes and hearts to this reality.

“The African fabrics in the background provide an additional cultural dimension, passing through the visual experience, while the children and people depicted represent the sweetness and the ability to make you feel welcomed despite differences,” Rachele explains.

In September 2023 and 2024, with the GiacomoGiacomo association, Rachele held two fundraising events, during which she displayed some of her paintings, which were then sold at auction, also for fundraising purposes.

In August 2024, she had her solo exhibition at the Camaldoli Monastery in the province of Arezzo.

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David Samuel Stern was born in 1982 in Highland Park, a suburban city in Lake County (IL, USA). He got an MFA at the Washington University in 2006 and now lives and works in Brooklyn, NY.

As a child, he didn’t think about art much until taking a darkroom-photography course during a high-school summer break. From that moment on, thanks to that summer course and once learned the medium, David began to take art seriously.

Work

His latest work, Woven Portraits 2020, is the result of photographic prints on translucent vellum. David physically cut and weaved together by hand two portraits of the same person. He then merges them into one another to create an exciting pattern and incredible texture. Finally, carefully cuts them apart. The attempt he aims at by doing this is to give portraits a sort of abstraction to allow the subjects to hide within themselves. He indeed states on his website: “In hiding something we reveal others.” Also, to David, the process of making something is as necessary as the thing itself.

Technique

Each piece of the Woven Portrait series is a physically unique and one-of-a-kind portrait. The photographs, all taken in a lighting studio and printed on vellum, are all large-scale prints.

The palette of light and the delicate contrasts maximize the effect of overlapping two sides of a human being. By doing this, David generates two different emotions. The portraits are caught in one mid-motion, a mix of two attempts of an action.

David transforms the photographic prints by creating a painterly atmosphere. His method is simple yet powerful. However, the abstraction of his work hides elements and details of the portraits as well.

David features in several creative international magazines and has already exhibited both in various solo and group shows.

Discover more about David Samuel Stern here.

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Alberto Seveso’s story begins in Milan, Italy, where he was born in 1976. Growing up in Sardinia, a region known for its serene landscapes and rich culture, Seveso’s environment undoubtedly shaped his creative mind.

From a young age, Seveso was drawn to the visual arts. Pencils and sketchpads were his constant companions, but it wasn’t just traditional art forms that captured his attention. As a child of the 80s, he was mesmerized by the explosion of graphic design in pop culture—think neon colors, bold typography, and eye-catching album covers.

Alberto Seveso’s Influences from the Digital Era

The rise of the internet and computer graphics in the 90s marked a pivotal point for Seveso. It was a time when technology changed how art could be created and consumed. The fusion of art and technology became his playground, with programs like Photoshop opening up a world of possibilities.

For Alberto Seveso, the transition from traditional mediums to digital art was both challenging and rewarding.

He initially worked with analog techniques, experimenting with photography and graphic design. But it was the allure of digital tools that ultimately pulled him in. Learning to manipulate images digitally was like discovering a new language, one he quickly became fluent in.

His early experiments caught the attention of the online art community. Websites and forums dedicated to graphic design showcased his innovative use of color and form, sparking interest in his work.

Alberto Seveso’s artworks are an explosion of colors and textures that feel organic and otherworldly.

The “Dispersion” Effect

Seveso is best known for his dispersion technique, where images appear to break apart into vibrant particles. This effect, often used in portraits, feels almost like a burst of creative energy frozen in time.

One of Seveso’s trademarks is blending photography with graphic elements. His portraits often start with real photographs, which he then transforms into surreal compositions using digital tools.

Alberto relies heavily on Adobe Photoshop and Illustrator, but he’s also known to experiment with 3D modeling software and other design tools to achieve his visionary results.

Over the years, Seveso’s work has found its way into magazines, advertising campaigns, and even album covers, solidifying his status as a modern art icon.

His collaborations with international brands like Adobe, Nikon, and Bacardi have not only expanded his audience but also showcased the versatility of his art.

Seveso’s work in the music industry deserves special mention. From designing vibrant album covers to contributing to music videos, his influence on pop culture is undeniable.

Go here to discover his portfolio on Behance or follow Alberto non Instagram >>>

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Born in Milan in 1982, Andrea discovered photography as a simple passion. It eventually took all his interest, and so the camera became inseparable. Despite not being a professional photographer, he puts everything in the frame and lets the image go beyond his profession without seeking a label.

Hello Andrea. When or how have you understood you wanted to become an artist?

About six years ago, I got bored of seeing only stupid pictures on social media, so I started looking for something more interesting by myself.

Can you briefly tell us more about your technique and what drives you to make art?

Street photography as it is invariably sincere. I love watching people. I aim for the beauty and the ugly of the mundane.

What is the main feature that has changed in your works or practice?

I’d say that color consciousness is something I improved and that I adjusted in my work.  

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

Garry Winogrand for his ability to find something interesting in the everyday.

How would you like people to engage with your work?

I push people to simply imagining the situation they are staring at in the image, to live it with empathy, figuring out how the character could have been before or will be after that actual shot.

Follow Andrea Lo Maglio on Instagram.

The post Andrea Lo Maglio | The Beauty And The Ugly Of The Everyday appeared first on Hue & Eye.

Otto Baum (b. 1979, East Berlin) studied textile and surface design at the Kunsthochschule Berlin-Weißensee, and now lives and works in Berlin.

He is currently creating stunning videos of himself making murals, usually large format, geometric and monochromatic while testing his latest OttoTools. OttoTools are his investigation of trying out various everyday tools for large-format painting mediums. He usually uses wooden slats, a few brushes, and screws and combines them into a new painting tool.

 

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Un post condiviso da Otto Baum (@ottobaumart)

 

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Hand lettering and abstract painting

Otto holds multiple accounts for his art practice, ranging from prints to objects to murals and letterforms. He calls a project of much of his hand lettering work “Wallphabets,” a hybrid of alphabets written directly onto walls. For him, it’s about the craft itself, the shape of the letters, and transferring them analogously to the wall, so he practices his skills with the brush to draw these beautiful writings by hand.

Baum is fascinated by simple forms, the feel, and the structure of materials such as wood and paper. He is interested in how unpredictable analog printing techniques such as linocuts or monotypes can be.

 

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Un post condiviso da Otto Baum Handlettering (@otto_baum)

KLUB7 Collective

Otto Baum has been part of the KLUB7 since 2004, an art collective of visual artists based in Berlin and Halle, Germany. Their focus is on producing large-format murals and site-specific performances in public spaces. As KLUB7, they have all gained excellent visibility and experience from different backgrounds in the arts over the years.

KLUB7 uses graphic, pictorial, abstract, and figurative works between fine and applied art. They have shown their work at international exhibitions and are involved in interdisciplinary projects. Through synthesizing their styles, they have developed a group style that is both playful and handcrafted. Go here to discover more. https://klub7.de/

Old Yellow Creative Studio

Defined as his ‘main job’ in his link bio on the Instagram profile, Otto is proudly part of a Berlin-based creative studio founded in 2014. Old Yellow works at the intersection between art and design for clients, agencies, architects, and interior designers to create inspirational objects or spaces. Old Yellow ranges from art consulting or small designs to extensive concepts comprising all kinds of artistic media. 

Go here to learn more. https://oldyellow.de/

Otto Baum NFTs on OpenSea

Discover Otto Baums’ recent NFT collection on OpenSea.

He says on his OpenSea profile page: 

My focus is on the analog process. This means producing specific sequences with a rigid drawing tool to create large-scale shapes and patterns that I can then adorn ornamentally. 

Go here to discover more. https://opensea.io/collection/ottobaum-collection

LINKS:

https://www.instagram.com/ottobaumart/

https://oldyellow.de/ – https://www.instagram.com/oldyellowberlin/

https://www.instagram.com/otto_baum/

https://www.instagram.com/ottobaumshop/

https://klub7.de/

https://artists.klub7.de/ottobaum/

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Soo-Jin Lee (SooJin) is an independent Graphic Designer from Seoul, South Korea. She lived in the US for five years studying at the California Institute of the Arts, where she gained a BFA in Graphic Design in 2016.

SooJin likes to explore digital arts, and her technique keens towards both digital and physical experiences. But let’s better understand what this means. She mainly uses Adobe Illustrator and sometimes Photoshop to finalize her artworks. Currently, she is also studying the idea to deepen cinema4D for 3D object elements to create better digital experiences.

Hello Soojin, Where have you grown up?

I was born and raised in Seoul, South Korea. I lived in America for 5 years, a mix of college and work.

Can you please provide a brief description of what you do or some information about your technique?

I usually use Adobe Illustrator and sometimes Photoshop. But off late, I am trying to also work with Cinema4D for 3d object elements to create better digital experiences.

What inspires you to create art?

I wanted to reimagine our surroundings and approach them with an anti-capitalist lens.

This was the reason I started the self-initiated project, Replica. The idea behind the project was that signs, labels and banners from mundane life can be reinterpreted, and made into memes (partially) through mischievous visual alterations.

How is your day-to-day working process?

Currently, I am working as a freelance designer. The scope of my work is kinda varied from

marketing to illustration for various brands. The marketing aspect, usually includes creating a business pitch deck and social media collaterals. Occasionally, I work on web or app design.

How long have you been working in this field?

I have been working as a freelance designer after a few internships during academic and graduation. So it has been about 3 years.

Which artists have had the greatest influence on your work?

I would love to choose Tim and Eric, an American comedy duo and creators. They inspired me with their absurdist sense of humor and satire and retro aesthetic on their shows they have created.

What inspires your practice outside of visual arts?

Weirdly, I get inspired by street and building signs and ads. And sometimes memes using these signs and symbols. I get an idea and create a design piece from them by visualizing with a bit of nihilism and a sarcastic view.

How would you like people to engage with your work?

I want viewers to feel intrigued by my work, finding similarness and differences from their

daily objects. And at the same time, I hope they induce conflict with what they used to seeing.

Where do you see yourself in the future?

I wish to grow and develop myself more as an independent and multidisciplinary designer.

So I hope to deliver and create digital and physical interactive experiences.

SooJin is currently working as a freelance Graphic Designer for various brands, with a specialty in Illustration Marketing. As marketing material requests usually include creating a business pitch deck and social media collaterals, she also occasionally work with web or app design.

To know more about her, go here.

Or follow Soo-Jin Lee on Instagram as @emptytacoshell

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Pantonio, born António Correia, in 1975 in the Azores, Portugal, is a celebrated street artist known for his mesmerizing murals that capture the fluidity and dynamism of the natural world. With a distinguishable style characterized by flowing forms, Pantònio’s work often features swarms of animals—fish, birds, and other creatures—interwoven in ways that evoke movement and harmony within urban environments.

Pantónio’s Artistic Journey

Pantonio’s artistic journey began in his youth, but he gained significant recognition after moving to Lisbon, where he became an influential figure in the city’s vibrant street art scene. His murals, often colossal in scale, breathe life into urban landscapes, transforming blank walls into canvases that celebrate biodiversity. Each piece serves not only as an artistic expression but also as a commentary on the relationship between nature and urbanization.

Lisbon’s Influence

Pantónio’s imagery is also deeply influenced by the culture of Lisbon and the Tagus River. His works frequently depict elements associated with the river and its inhabitants, including sardines, cod, octopus, mermaids, ropes, and boats. This suggests a strong connection to the local environment and its traditional imagery. Furthermore, he draws inspiration from his surroundings, such as creating a mural inspired by a tree in a park. His artistic style, described as having a “very personal visual vocabulary and a strong graphic style with remarkable amplitude,” further suggests that his inspiration comes from a combination of his personal experiences and the vibrant cultural landscape of Lisbon.

Pantónio’s Technique and Aesthetics

The artist’s unique technique involves layering vibrant colors and dynamic shapes, creating a sense of depth and movement. This approach allows viewers to experience a visual narrative that captures the essence of life’s fluidity. Pantonio often draws inspiration from the rich natural surroundings of his native Azores, incorporating elements that reflect the islands’ biodiversity and ecosystems.

Pantonio’s work has transcended borders, with murals found in various countries, reflecting a global appreciation for his artistry. He has participated in numerous international street art festivals and exhibitions, further establishing his reputation as a leading figure in the contemporary street art movement.

His contributions extend beyond mere aesthetics; Pantonio aims to raise awareness about environmental issues through his art. By portraying the beauty and intricacy of animal life, he invites audiences to reflect on the importance of biodiversity and the impact of urban development on natural habitats.

Pantonio’s murals are often characterized by a blend of realism and abstraction. This technique not only showcases his technical skills but also creates a dialogue between the viewer and the artwork. The swirling patterns and vibrant colors pull the audience into a world where nature and urban life coexist, encouraging a deeper connection to the environment.

His works are not only visually stunning but also serve as poignant reminders of the beauty of nature and the need to protect it amidst the challenges of urbanization.

Go here to visit Pantonio’s Instagram page or read similar articles on Hue&Eye >>>

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Neville Brody is an English graphic designer, typographer, and art director. His work is today highly recognized worldwide.

He is mainly recognized for his record cover designs in the British independent music scene in the early 1980s. 

As the Art Director of Fetish Records, he began experimenting with a new visual language that consisted of a mixture of visual and architectural elements. 

Later, he puts these ideas into practice and sets new precedents through the innovative styling of The Face Magazine.

Brody’s artistic contribution to The Face revolutionizes how designers and readers approach the medium.

By designing his typefaces, in fact, he opens the way for the advent of digital type design.

Work and Practice

In 1990 he found the FontFont typeface library together with Erik Spiekermann.

With FUSE, an interactive magazine and collection of experimental typefaces and posters, he challenges the boundaries between typography and graphic design.

Today, Neville Brody’s work focuses mainly on electronic communications design, and because of his unique and striking digital typefaces, his contributions to the world of graphic design and digital typography are invaluable.

As often referred to as a “star typographer”, Brody has designed several very well-known typefaces. Mostly, unique fonts include the updated font for the Times newspaper, Times Modern, New Deal as used in publicity material, and titles for the film Public Enemies and Industria.

Discover more about his current works here.

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Tanmaya Bingham is a prominent visual artist and educator with over a decade of experience exhibiting her work nationally and internationally. She holds a Master of Fine Arts (MFA) and has undergone extensive fine art training.

Currently, she serves as the Gallery Director and Instructor at Indiana State University and is the owner and founder of Visual Artist Capital LLC, where she supports other artists. Bingham is also actively involved in helping artists overcome limiting beliefs related to their practice.

 

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Capturing Duality in Art: The Essence of Vitrification for Tanmaya Bingham

As we delve into the world of Tanmaya Bingham’s porcelain creations, we are reminded of the beauty that lies within our complexities.

In the contemporary art landscape, few mediums evoke the fragility and strength of the human experience quite like porcelain. Tanmaya Bingham’s latest series, “Porcelain 2024,” compellingly explores this duality through a unique blend of mixed media, paint, and colored pencil on panel. The artistry behind her works is not just in the stunning visual representations; it lies deeply rooted in the emotional narratives they convey.

At first glance, Bingham’s work presents a striking visual of vulnerability and resilience. The term *vitrification*—the process of converting a material into a glass or a glass-like substance—aptly describes how her subjects are portrayed amidst life’s myriad pressures. In “Porcelain,” each brushstroke and colored pencil line highlights the human condition’s precarious balance between presence and absence. Bingham immerses her viewers in a complex emotional landscape, offering a mirror into the psyche often obscured by societal expectations.

Unpacking the Human Experience

Bingham’s subjects possess a remarkable intensity that invites viewers to engage with their narratives. Their gazes—confrontational yet introspective—suggest a rawness that resonates with our shared human experiences. The juxtaposition between their bold expressions and their exposed, almost vulnerable forms fosters a dialogue on acceptance and the oft-hidden aspects of self-identity. In this way, Bingham challenges us to confront our competing emotions and societal pressures that shape our perceptions of beauty and self-worth.

Tanmaya Bingham’s Attention to Detail

What sets Bingham’s work apart is her meticulous attention to detail and hyper-realistic portrayal of human features. The intricacies of skin textures, nuanced expressions, and even perceived imperfections play a crucial role in her artistic dialogue. By amplifying socially constructed flaws, she skillfully opens up conversations about the nature of acceptance—both of ourselves and others.

Through this technique, Bingham’s art transcends mere visuals; it becomes a visceral experience that compels us to reflect on our narratives. Just as porcelain is revered for its beauty and fragility, so too are her subjects revered as embodiments of our vulnerabilities.

The Impact of Color and Background

The stark white backgrounds that accompany Bingham’s subjects serve multiple purposes. Primarily, they offer a sense of isolation, emphasizing the subjects, while allowing audiences to focus on their narratives without distractions. The use of color becomes a vital element in conveying emotion—a quieter yet powerful visual strategy that speaks volumes about the interplay between light and shadow in our lives.

The Symbolism of Porcelain

Porcelain is more than just a material; it symbolizes the transitory nature of human experience. Just as porcelain can be molded and shaped, so too can our identities be influenced, challenged, and transformed. Bingham skillfully intertwines this symbolism into her work, making each piece a reflection of individual journeys. The fragility of porcelain parallels the emotional fragility experienced in moments of upheaval, reinforcing the idea that beauty often emerges from vulnerability.

Confronting Rawness: Engaging with the Audience

In “Porcelain 2024,” Bingham extends an invitation for introspection and connection. Her artworks pose important questions about our societal roles and the burdens of expectation we carry. They demand that we face the parts of ourselves that we often hide from the world—the imperfections, the scars, and the truths we are hesitant to share.

This unfiltered representation encourages authenticity, inviting viewers to embrace their complexities. Bingham’s work is more than a visual representation; it’s a movement toward acknowledging and accepting the multifaceted nature of being human.

Reshaping Perspectives

As we journey into the future of art, Bingham’s “Porcelain 2024” series serves as a poignant reminder of the importance of vulnerability in creativity. Artists like Bingham not only reshape our perspectives on beauty and identity, but also pave the way for dialogue about acceptance and the human experience.

Bingham’s bold narratives encourage both artists and audiences to explore their truths—turning fragility into strength and vulnerability into empowerment.

Tanmaya Bingham’s “Porcelain” series is a brilliant exploration of human emotion that utilizes the delicate medium of porcelain as a powerful metaphor. Through her intricate details, confrontational gazes, and stark backgrounds, she invites viewers into a world where vulnerability and resilience coexist harmoniously.

By challenging societal perceptions of beauty and encouraging authenticity, Bingham’s work resonates deeply, ensuring that her exploration of the human condition will linger in the minds and hearts of her audience long after they leave the gallery.

Click here to go to her website >

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Olatunji Benjamin is a Nigerian contemporary painter and a mixed media Artist. He was trained as a painter at the School of Art at the Yaba College of Technology in Lagos before he started his explorative research. He earned the General Art’s national diploma and later specialized in painting which gained him a Higher National Diploma. While in school, he had the opportunity to meet great artists engaging in collaborative projects.

His work experience with other artists acquired him more exposure.

However, before 2010, when Olatunji discovered himself as an artist, he was an apprentice under different masters most of who were realists. He started as an impressionist, and realist, and now is an abstract expressionist.

He explores the pictorial potential of pure abstraction. He uses a visual language of shape, form, color, and line to create a composition that exists with a degree of independence from visual references in the world.

Hue&Eye interviewed him to discover more about what drove Olatunji to make art.

Let’s start from the basics. What’s your name and where have you grown up?

My name is Olatunji Benjamin, I grew up in Lagos, Nigeria, Africa.

When or how have you understood you wanted to become an artist?

I understood I would be an artist at the age of ten as I could draw on any surface with any material.

May you briefly describe your technique and tell us what drives you to make art?

My artwork’s technique is primarily underpainting. I allow the first layer of the background color to reflect in the final painting.

The drive for making art comes from the inner struggles of reality. Creating art is a spiritual enlightenment for me, it speaks about my subconsciousness which I believe can also liberate others who see my art.

What is the main feature that has changed in your works or practice throughout the years?

The main feature that has changed in my works is moving from realism to abstract expressionism, figurative abstract, and now figurative surrealism.

Which artist primarily inspires your work? And is there something else, outside visual arts, that keeps you motivated?

I’m inspired by Kehinde Wiley, and above visual art, music keeps me motivated. I love playing the piano.

How would you like people to engage with your work?

I would like people to engage with my work by sharing via different platforms, or by having a sense of ownership.

To purchase Olatunji’s artwork, go here >>>

Or to follow him on Instagram, go here >>>

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