Serigraph painting is also known as screen printing or silkscreen printing. It involves pressing ink through a stenciled mesh screen to create a desired image or pattern. Serigraphs are unique in their versatility, allowing artists to create prints with various colors, textures, and finishes.

In this comprehensive guide, we will explore the history of serigraphy. Also, we will deepen the serigraph printing process as well as the qualities distinguishing serigraph paintings from other types of prints. Lastly, their value and collectability in the art market.

History of Serigraph Painting

The origins of serigraphy go back to ancient China and Japan, where silk screens were used to create intricate fabric designs. However, it was in the early 20th century that serigraphy began to be used as a fine art form. The American artist, Andy Warhol, was among the first to popularize serigraphy in the 1960s, creating iconic images of celebrities and consumer products. Since then, serigraphy has become a popular medium for contemporary artists and a staple in the world of commercial printing.

Serigraph Printing Process

The serigraph printing process involves several steps. First, an artist creates a design or image they wish to print. Next, he transfers the design onto a fine mesh screen, stretching it over a frame. The areas of the screen that are not part of the design are blocked off with a stencil. Ink is then applied to the screen and forced through the exposed areas using a squeegee. Each color in the design requires a separate screen, and the process is repeated for each color until the final image is complete.

Qualities of Serigraph Paintings

One of the defining characteristics of serigraph paintings is their rich, vibrant colors. Serigraphs have a unique texture and depth that is difficult to achieve with other printing methods. This is because the ink is applied directly to the print’s surface.

Serigraphs can also be printed on a wide range of materials, including paper, canvas, and fabric, allowing for greater versatility in artistic expression. Finally, because serigraphs are handmade and require multiple screens and passes to create, they are often more limited in edition size than other types of prints, which can increase their value and collectability.

Value and Collectability

The value and collectability of a serigraph painting depend on the artist, the edition size, and the print’s condition. Limited-edition serigraphs signed and numbered by the artist are generally more valuable than open-edition prints. Additionally, serigraphs in excellent condition, will command higher prices in the art market. As with any work of art, a serigraph’s value depends on the buyer’s preferences and the demand for the artist’s work. 

Read similar articles on Hue&Eye >>>

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Design Quotes are a good source when in lack of inspiration. Are you having one of those seemingly eternal blocks and you tried them all, but not even a mindful music, nor a calm environment works? Looking up at what looks like good designers then tears you down even more.

If this is the case, get comfortable and go through these 12 inspiring and thought-provoking design quotes that will undoubtedly get your creative juices flowing.

–

Design Quotes #1 / Allow yourself to make mistakes.

Paula Scher, graphic designer, and painter

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#2 / What’s Perfection?

Antoine de Saint-Exupéry, French writer and poet

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#3 / Afraid?

Salvador Dali, artist

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#4 / Value vs Cost.

Joel Spolsky, web programmer, writer, and creator of Trello

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#5 / Focus on your story.

Lorinda Mamo, designer

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#6 / What’s the Function?

Micha Commeren, designer

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#7 / Are you creating a Language?

Massimo Vignelli, Italian designer

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#8 / Three simple Concepts: Culture, Values, and Future.

Robert L. Peters, designer and author

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#9 / Look for a Formal Strategy.

Mariona Lopez, business owner

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#10 / There’s No Good or Bad.

Adam Judge, author

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#11 / Less is More.

Paul Rand, graphic designer

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#12 / Inform and make it Clear.

Hans Hoffmann, postwar American artist.

Follow us and stay tuned for more upcoming inspiration on art and design!

The post Design Quotes | The Best 12 To Inspire Your Workflow appeared first on Hue & Eye.

It might be your first attempt as an artist, or you might feel quite fulfilled. In both cases, pricing your work can be highly problematic. We have gathered six quick tips for you to ease the process and stop feeling guilty or humble. After all, who sets the rules to define whether you’re worth 10 or 100? The market does. So grab a pen and follow a rational scheme to start selling your artwork reasonably. And feel free to adjust calculations during your journey!

1. Research how similar artists price their art

To reasonably price your art, and before making up your idea of how a market works, do your research. Trends change continuously, and one of the best ways to keep on track is to study what works for others. Be realistic by selecting a few artists you consider similar or relevant to your approach and value their accomplishments, experiences, geographic locations, and production rate. You might also think of directly get in touch with them to share opinions!

SPECIAL TIP: SEARCH FOR AN ADVISOR TO HELP YOU THROUGH THE PROCESS

Artists are used to feeling lonely not only in their creative process but also in learning how to expand their network and visibility and to value their artworks. There are platforms dedicated to assisting emerging artists especially. Our suggestion is st-Art, an Amsterdam based community of curators and contributors with the aim of nurturing artists worldwide by providing valid options for developing their skill to divulge their works and sell them to buyers.

Get in touch or register here.

 

2. Don’t vary the price for sales in studio or through a gallery

Use an actual or similar rate for selling both in your studio and a gallery. These last won’t appreciate your competition and will ultimately spread the word to other galleries about how you are trying to sell it at a better price by yourself. Its real galleries charge quite a lot, although they guarantee to deliver a professional job.

3. Balance Your Emotions

Being proud of your work, or underestimating your art, is part of being an artist. It’s easy to get attached, knowing the emotions and effort you usually spend on a piece. A buyer won’t have time to listen to your emotional stories; you should base pricing your work on physical attributes. If you feel close to a specific artwork and think its final price is unfair, consider keeping it off the market and in your private collection.

4. Stand by your final price

Once you and your advisors have set a final price, stand by it. When you take the time and effort to research and price your work realistically, you will feel confident to state your amount firmly. On their hand, buyers might try hard to negotiate it, but they will even start estimating you as an artist who knows its way. Confidence does wonders.

5. Remember these formulas:

# 1 – Value your work according to your reputation

The most common formula used by established contemporary artists is very transparent. Multiply the width of the work by the length. Next, multiply the result by a reasonable amount that makes sense for your reputation and credential, and round it to the nearest hundred. Finally, double the cost of your materials and add them to the square inch amount in money.

Do this if you account for the 50% commission rate galleries usually take to sell your work.

Emerging artists should start at affordable rates of 2,5-3,5 € /3-4 $, and higher as they become more established.

If the painting is small – which often means the effort was the same as for a bigger one – you may consider a slightly higher rate and the opposite with a large-scale work.

Example:

• 18 in x 24 in = 432 sq. Inches
• 432 x 3,5 € = 1.512 € / Rounded to 1.500 €
• 100 € (cost of materials) x 2 = 200 €
• 1.500 € x 200 € = 1.700 €

# 2: Value your work according to your time and effort

This formula covers the time you work and the cost of your materials. It is beneficial for artists that are starting out selling their work. When valuing an hourly rate, compare what similar artists charge for their art. If the result is too high compared to theirs, we suggest you lower it. Double the cost of your materials if you are selling through galleries.

Example:

• Hourly rate: 20 €
• Total hours: 15 hours
• Cost of materials: 100 €
• 20 € x15 hrs =300 €
• 300 € +(100 x 2) € = 500 €

6. Build Authority

Being represented by a gallery and feeling confident with your pricing rate doesn’t exclude the never-ending story of building credibility to grow trust in your buyers.

Indeed, you will have thought about building a clear and appealing online plus social image. Now practice answering some common questions when writing your artist statement.

We share with you some of the main questions we use as a guideline to interview artists at Hue&Eye, to help them build artist credibility and write an engaging story about them:

• Why Do You Make This Type of Art?
• What Does Your Artwork Represent?
• What Inspires You?
• How Do You Make It?
• What Does Your Art Mean to You?

We hope this article will be helpful to ease your career as an artist!

Start by submitting an interview request to us to begin divulging your art!

The post 6 Tips To Learn How to Price Your Art (and Start Selling Your Work)  appeared first on Hue & Eye.

Abstract art painting means to depict a subject in a non-realistic way. When we describe something that we may not sense through touch, taste, sight, hearing, or smell, we use abstract adjectives.

As a definition, abstract art is the 20th-century movement characterized by the reduction of natural appearances into simplified forms; for example, constructing art based on geometric shapes or intuitive gestures. Abstract art does not depict a person, place, or thing in the natural world or does not make any visual references. What is very important to mention when defining abstract art is that abstract artists do not deal with figurative interpretation. Stylistically, abstract art included the movements of Surrealism, Dadaism, Cubism, and Fauvism.

Famous Abstract Artists

Famous artists belonging to these art movements are, to mention a few, Vasily Kandinsky (1866–1944), Piet Mondrian (1872–1944), and Kazimir Malevich (1878–1935), Mark Rothko (1903-1966) and Jackson Pollock (1912–1956).

The Basics of Abstract Art

Abstract art usually has its basics in something outside reality. It isn’t synonymous with chaotic design. One may confuse it with the therapeutical “mush some paint on the canvas and see what happens.” Instead, abstract art hides profound meanings and harmonic values. Try these tricks to ease your process to avoid messing around at the beginning.

Always start with a concept.

It will not only direct your work, but it will also help you out making the right harmonious decisions while working. Abstract art is indeed a lot about harmony.

Focus on composition.

As said above, never forget that your composition needs harmonious values. Whether splashing color or contouring a shape, the final piece will have straightforward storytelling with a structure in mind.

Try experimenting in the making.

As Jackson Pollock teaches, the creative process may also start without a precise idea. Indeed, being surprised may be the core of the process itself. With structure and concept in mind, free yourself to tools, techniques, and whatever support you find on your way. There are no hard or fast rules except the ones you make for yourself. The only limitation is consistency and courage. Experienced artists are confident and produce every mark with intention. Paint splatters may look random, but they’re put there for a reason.

If you like this article, find other similar and helpful creative tips!

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Watercolor may be a challenging technique also for experienced painters. Here we will guide you through the 4 main watercolor tips and techniques to practice and get started with!

SUPPLIES NEEDED:

• Watercolorolor paint set
• Brush set
• Watercolor paper
• Palette
• Container of water
• Soap

WET ON WET

Typically used for painting landscapes or backgrounds, it gives a smooth result. It basically consists of adding wet paint onto a wet surface. Here are some simple steps to guide you and get familiar with the technique:

1. Wet your brush with plain water and sketch two rectangles on the chosen surface. They will be transparent as to the absence of color. If you bend your head, you will still see the shiny wet parts.
2. On your palette, moist the pigments and pick some up with your brush. Simply start painting from side to side of the first triangle.
3. Add dabs of paint in your second triangle. This step will show you how the different amounts of water and colors will affect the final result. Watercolor, indeed, dries in unusual and unexpected ways.

WET ON DRY

The wet on dry technique is generally used for precise shapes, and it’s probably the most used. Here are a few steps to ease the process:

1. Apply some moistened paint with a big brush onto a dry surface (preferably a sheet of porous paper) and start painting as desired. The tone of your painting will depend on how much water you previously moistened the paint with. To get a more definite shape, try using a virtually dried small brush to define the edges.
2. As the paint dries, you may notice how the pigment fades and turns into a different shade as prior.

BUILDING UP COLOR AND CREATING GRADIENTS

To practice how to build up color from plain water to saturate paint mix, it’s better to use one chosen tint to create what is called ombrè, a similar effect to “chiaroscuro.”

1. Drop a small amount of water into one of your palette’s holes and some thick paint into the next one. It’s preferable to use a medium-thick brush.
2. Pick up some water with your brush, draw a transparent strip on the paper, then in your palette, add a tiny bit of paint into the water and paint a stripe on top of the transparent one.
3. Rinse and clean your brush, repeat the process by adding a bit more of paint than before. Repeat a few times to notice the diverse shades that will appear due to the different amounts of pigment.
4. Repeat as many times as you like, to feel comfortable with the result.
5. Now on your palette mix two colors side by side. The ratio of water and pigment should be 50/50. The chosen colors should also be close on the color wheels; otherwise, the result could turn muddy (Ex. pink and red or green and yellow).
6. Starting with the lighter color and paint a short strip onto the paper.
7. Clean the brush, and on the palette, add a bit of the darker shade to the lighter one. With the given mid-tone tint, paint another short strip where the previous one ended.
8. Now mix the mid-tone dye with the darker color and repeat the process by adding another piece of stripe from where you left it. Repeat with the pure darker shade to finish the line.
9. In this exercise, the real work happens in the palette, so try noticing the harmony between the different shades before painting, as it shouldn’t be harsh.

GETTING PRECISE

Learn how to control and define the edges of shapes.

1. Start by painting simple shapes, like petals or leaves, onto a dry and blank piece of paper.
2. With a thin brush, paint around these shapes using a different color. With a bigger brush, fill the background. Make sure to have enough of this color on your palette, following the ratio of 50/50 between water and paint.
3. Try to get very close to the shape without touching it with the brush.
4. Repeat the process until you reached the desired effect.

Hope you enjoyed these watercolor tips. Looking forward to seeing what you will come up with next!

The post Watercolors Tips For Beginners appeared first on Hue & Eye.

LEARN HOW TO SUBMIT YOUR WORK PROPERLY.

Being an emerging artist is a tough job although today there are loads of platforms and ways to do so online. For this reason, the competition gets higher every year and it’s always more difficult to get noticed. We wish to help you out with the following short but effective tips to explain the importance of submitting your work in the right way.

1. THE IMPORTANCE OF HAVING A PORTFOLIO OR A CONSISTENT BODY OF WORK.

Since you are an emerging artist, this implies not many people still recognize your art. It seems obvious, but the clearer you are about your work, the better people will remember you. Presenting a messy, inconsistent body of work means you are the one that doesn’t get your art seriously at first. Your portfolio is a document that creates a bridge between you and the art world. 

OUR TIP:

Each submission has different needs, so carefully read the guidelines for the one you selected before getting too excited and decide to push the submit button. Many platforms won’t even consider your work if this won’t respect their outlines. Spend your time to prepare well-edited packages. Ask help from a professional if needed. Here’s our suggestion: st-Art Amsterdam. 

2. WHY ARE A GOOD ARTIST STATEMENT AND A CLEAR PROPOSAL USEFUL?

It’s hard to find the right words to define your art, and this will probably be one of the main challenges an artist will face in his career. An artist’s statement and a proposal will provide a professional image to the organization or platform you are talking to. Considering implied the impeccable grammar and spelling, the other big fish to capture is their attention. You may only do this by fitting their goals.  

OUR TIP:

Your artist statement is a paragraph of 550-1000 words that talks about your work methods, research, and meaning. You may think that your work says all it needs to say, but you have to remember that potential galleries and clients may need more to understand your pieces.

You may find it helpful to have someone unfamiliar with your work yet possibly knowledgeable with art to review your submission before sending it off.

Finally, put yourself in the shoes of the busy person receiving your submission. Is your contact information easy to find? Do your sentences convey your thoughts clearly and succinctly? Try to be clear and direct. No one has too much time to spend on something confusing.

3. WHY IT’S MANDATORY TO DOCUMENT YOUR WORK CAREFULLY?

One of the difficulties the emerging art market encounters is promoting unknown artists to an ambitious audience.

For this, the images of your work are the primary tools to catch people’s interest. To do this properly, documenting your work is vital and will quickly push you to be considered an entrepreneur. It’s your work you are taking care of, so be precise, transparent, and straightforward; It will make a potential client more likely to invest in your art. Give every art piece a title; even if it’s untitled, give it a number so no one may get confused. Include in the artwork’s description enough details about the size, materials, and techniques used. People want to know these technical features.

OUR TIP:

Have a professional take high-quality photographs of your artwork, as art is selected by the image shown. Although this might seem expensive, it is a long-term investment we suggest you take. Explain to the photographer the guidelines requested and friendly ask him to be there while he shoots your work, so you might also learn the basics of how to do so by yourself if necessary! 

Here are some useful links for you:

How to Photograph your Artwork for a Portfolio or the Internet

How to Resize your Images for the Web

Follow us to get updates about all our tips&tricks!

The post 3 Tips For Emerging Artists On How To Submit Your Work appeared first on Hue & Eye.

When asked to design a logo, having a prior understanding of the brief will save you time and money. Don’t hesitate to ask the client for a meeting before designing their logo to deepen their needs and vision and eventually avoid redesigns and misunderstandings during the design process.

To ease you, we’ve divided the questions into topics so for you to go straight to building a coherent plan without missing out on essential aspects of the logo design process. We advise using this as a checklist. Don’t conceive it as an interview with your client, as this may appear uncomfortable! Informally, ask the ones you think the best fit for the logo design project!

The Company

1. How long has your company been established?
2. Can you describe your business?
3. What is your company/organization/product/service name?
4. What services or products do you provide?
5. If you had to describe your business in one word, what would it be and why?
6. What sets your company apart from the competition?
7. How big is your company? (number of employees? revenue?)
8. What are the strengths and weaknesses of your company?
9. What are the long-term goals of the company?

THE TARGET AUDIENCE

1. Who is the primary target audience (age, gender, location…)?
2. What is the average household income of your target audience?
3. Are there any new markets you’d like to break into? If so, what would they be and why?
4. If your customers had to describe your company in one word, what would it be and why?
5. How do most of your customers find out about your company?
6. How do you plan to communicate with your target audience?

The Branding and Design

1. What are the values and/or mission statement of your company?
2. What is the current logo?
3. Why are you looking to change the logo? What do you want the new logo to accomplish?
4. Do you have a strapline or slogan that goes along with your logo?
5. What three attributes would you like your target audience to consider when they look at your new branding?
6. What colors or color palettes do you like and why?
7. Where will the logo be mainly used? Print, web, etc.?
8. In your opinion, what defines a successful logo?
9. Is there anything that must be included, like existing brand elements, words, or icons?
10. Are there any logos that you particularly like or dislike, and why?

The Budget, Deadline and Management

1. Do you have a budget for the new logo and a deadline that needs to be considered?
2. Will there be anyone else involved in this project? Any third party sub-contractors or other agencies/freelancers?
3. Is there anything else you’d like to add that we haven’t already covered?
4. Who will be the internal decision-makers on this project? Giving feedback and approvals? (Stress to the client that the fewer decision-makers, the better!)

EXTRA TIP: A SHORT SURVEY FOR CLIENTS TO HELP THEM FIGURE OUT THEIR COMPANY LOGO’S NEEDS.

At last, if you still notice your client is a bit confused about what they really want,  friendly consider sending them a printed or digital copy of this short survey for pushing them to build a sharper need and brainstorm a bit more.

1. Which of these words is a better fit for your brand? Traditional or modern?
2. Which of these words is a better fit for your brand? Friendly or corporate?
3. Which of these words is a better fit for your brand? High end or cost-effective?
4. Which of these words is a better fit for your brand? Consumer or Trade?
5. Why does your current branding use those colors, fonts, etc.?

Follow us to receive updates on how to expand your career and practice!

The post Logo Design | 35 Questions to Ask a Client appeared first on Hue & Eye.

We selected 6 artists to follow in 2023, but to discover them, let’s dive back to the past year. The contemporary art market is officially back in motion, and 2022 saw particularly notable increases in interest in street artists, abstract painters, fine art photographers, and expressive portraiture. Producing quality and thought-provoking work, the artists on this list are making waves in the contemporary art world. 

1. Felipe Pantone

Felipe Pantone is an Argentinian artist, born in Buenos Aires. When he was young, he moved to Spain to discover graffiti and, later, experiment with it. He obtained an Art diploma in Valencia, where he still has his studio.

An eternal wanderer, his mural paintings are visible in Tokyo, London, Osaka, Paris and many other cities.

Felipe Pantone draws inspiration from several artists like José María Yturralde, Frédéric Platéus, Herb Lubalin, Sozyone Gonzalez, Steven Powers, not to mention Demsky.

His work combines typography and abstraction with extremely modern aesthetics. Strictly avant garde, his unique style re-invents graffiti art with futuristic and kinetic art. He uses a palette of colors with geometric pattern of optical art, by defying movement and perspective. A true chameleon, he explores text, neon and metallic colors.

Felipe Pantone puts together a new visual language, on the borders of the digital era, technology and society.

His work has been exhibited around Europe, America, Australia and Asia.

Follow Felipe on Instagram >>> 

2. Maude Ovize

Born in 1980, Maude Ovize is a French artist, living and working in Lyon.

Graduated from the fine arts of Saint Etienne, she moved to Lyon in 2005 and works since the question of the motif in painting. She is part of a collective of artists working in a workshop on the slopes of the Red Cross, the Mecca of the Lyon creation.

In her journey around the question of the motif, Maude Ovize is currently working on a series devoted to water which she explores all aspects: sensation, matter, light, color.

Follow Maude Ovize on Instagram >>>

3. Kaws

Brian Donnelly, aka Kaws, is an American artist and designer born in 1974 in Jersey City, New Jersey, USA. As a street artist, painter, illustrator, sculptor, publisher, his work touches on everything that surrounds the world of Pop Art.

After receiving his Bachelor of Fine Art in Illustration in 1996 from the School of Visual Arts in New York, Kaws briefly worked for Disney as a freelance animator. Today he lives and works in Brooklyn, New York.

Kaws began his career in the 1990s with street interventions. He superimposed his own work onto billboards, bus stops, and phone booth advertisements. As he became more well-known, his ads were taken down and collected by people. He created or reused well-known characters from comics and cartoons in his offbeat imagery. Subjects like the Michelin Man, the Simpsons, Mickey Mouse, Snoopy, Sponge Bob, are all common figures rooted in the collective imagination that allows the artist to adopt a universal language. Kaws’s goal is to make art accessible to all. He signs all his creations with a very particular trademark: figures with crossed-out eyes, making his style easily recognizable.

After becoming famous, Kaws appropriated different techniques and extended his artistic production to the world of sculpture and painting on canvas. The passage from 2D to 3D works is motivated by his search for greater mastery of space and reality. His sculptures can reach monumental dimensions. Some of his giant characters have been exposed in front of museums, and they never fail to draw the attention of passers-by.

Kaws’s work is influenced by Pop Art, but also by artists such as Gerhard Richter, Claes Oldenburg, or Chuck Close.

Follow Kaws on Instragrams >>>

4. Thandiwe Muriu

Passionate about photography since the age of 14, Thandiwe Muriu grew up in Kenya in a family marked by art, surrounded by a sister who is a stylist and a second one, a virtuoso pianist. She refined her photographic practice during her teenage years, influenced by Vogue magazine and the aesthetic canons in the front page of this women’s publication. She took one of her sisters as a model and tried to portrait her with complete freedom.

It is the time of the rise of social networks, her photographs meet a great success and lead her to sign her first commission as a young talent.

After graduation, passionate about the 8th art, she dedicates herself definitively to fashion photography and at the age of 23, signs her first contract for an international campaign.

Like her fellow citizens, it is important for her to highlight the natural beauty of women with whom she identifies herself. Her compositions are in keeping with the beauty criteria of a black femininity. Essential models for the African readership at home and from the diaspora too often absent from the front pages of magazines.

Also, she sublimates through her art, black skin and afro hairstyles that deserve to be more than ever valued. Moreover, the photographer reconnects with the glorious past of African empires by using fabric, declined in frank and vivid colors enveloping her subjects.

Determined, passionate, she wishes to spearhead a new generation of committed women entrepreneurs in Kenya through her art, destined to write an inspiring story for many of them. Next challenge? To photograph a cover of Vogue.

She considers the series entitled “Camo” (2015) as a particularly personal achievement marking a decisive stage in her artistic process.

Follow Thandiwe Muriu on Instagram >>>

5. Okuda

Okuda (Oscar San Miguel) is a Spanish artist born in 1980 in Santander. He lives and works in Madrid. His work deals with the meaning of life and its contradictions. The artist tries to make us reflect upon the conflits between modernity and humanity’s roots, upon war and violence.

Okuda is a major international artist, selected in the top 100 of the Urban Contemporary Art Guide 2014. He has worked with major brands and travels the world painting on trains, buildings, walls and showing his work in major art galleries.

Follow Okuda on Instagram >>>

6. Javier Rey

Javier Rey is a Colombian artist & photographer. His work is in many collective exhibitions, one solo exhibition and several international art fairs such as ArtLima (Peru), Scope Art Fair (Miami) and La Feria Del Millón (Colombia). Rey’s work has also appeared in books such as “Unlocked”, by the Greek collective Atopos, and was chosen as one of the 145 most relevant visual artists and photographers on the web in 2015. His photographs in which he explores the physical structure and the possibilities of sculpture through photography have been featured in several publications in Colombia, USA, Mexico, Germany, Spain, Denmark and other countries.

Follow Javier Ray on Instagram >>>

Read similar articles on Hue&Eye.

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NFT Playground Amsterdam is in the heart of Amsterdam, located at the corner of Vijzelgracht and Weteringcircuit, where a team of crypto revolutionists transformed 200 m2 of open space into an immersive workplace for crypto enthusiasts wanting to get involved in the Web3 Ecosystem.

Founder Bart Bloemers: “NFT Playground wants to be the no.1 introduction to the Web3 Ecosystem for all curious-minded people, entrepreneurs, and artists. Our space is for you if you want to learn, meet up and work together with others to explore the possibilities of NFTs. We teach you to grab your own NFT, trade them, or get involved in NFT projects.”

The green walled Playground converted its identity this summer, and from June the 10th, it functions as a Digital Art Gallery, Co-Working space, and educational place. Participants are welcome to become a member of the DAO as well.

About the Playground

You are welcome here to meet with the new players in this upcoming industry. Mint some art in the space, or bring your laptop to work there. Sign up for a workshop or masterclass with one of their members. Don’t forget to make new friends and have them also encounter other revolutionists! 

Create your first NFT with NFT Playground Amsterdam

At the heart of Amsterdam, located at Weteringdwarsstraat 107, 200 m2, you will find an immersive Playground for crypto revolutionists.

At their events, you can learn more about purchasing, finding, or creating Digital Art and NFTs and onboard artists hungry for more.

Check their calendar for the following dates. 

NFT Playground is ready to give you a crypto jumpstart!

What do they do?

• onboarding new enthusiasts (How to create, sell or collect NFTs)
• onboarding for local artists (Target audience // how to sell // NFT workshops)
• Connecting around web3 (Meetup/NFT events/ Community Calls/ Co-working)
• Exhibition (Digital Art / NFTs / Glitch/)

Access to the Playground is free

Why participate?

If you also feel that the world needs more decentralization, more digital art, and more collaboration opportunities, go over and join!

Go here to visit NFT Playground Amsterdam’s website and Discover More >

The post NFT News | NFT Playground Amsterdam appeared first on Hue & Eye.

Contrary to popular belief, you don’t need to go to art school to create meaningful pencil drawings and become an artist. It certainly does help to have those tips and tricks you learn throughout your art classes, but they aren’t the only things that will help you create art that resonates with other people. 

At the core of every piece of art is the hope that people care about your work. Art doesn’t always have to invoke negative emotions! Be it a positive resonance with the viewer, or a negative one, as long as you manage to touch people’s hearts, you have succeeded as an artist, and this is by no means an easy feat to achieve. If you are more adept at pencil drawings, this may be trickier for you.

Now you may be wondering, what makes a drawing meaningful? And how can you create your representative works? Here’s a guide to creating meaningful pencil drawings! 

Practice, practice, practice! 

It seems like a pretty obvious tip, and yet it’s one that many end up ignoring for its simplicity. Drawing is a skill, and it’s essential that you keep practicing and trying out new motions for your art to improve. To create a drawing that speaks to people, you have to be familiar with your subject, and for that, you’ll need a ton of practice!

Forget about others’ opinions. 

At the heart of a meaningful pencil drawing is an artist’s intention. If you want to create a great final piece solely for the trends or money, you can bid goodbye to the emotional aspect of the job. Instead of focusing on other people’s opinions and what they think you should draw, pour in all your energy into creating a pencil drawing that means a lot to you – that emotion will automatically translate into your work as well!

Use references but ignore the trends. 

There is nothing wrong with using references. To create an incredible drawing, you will need to know the ins and outs of your subject, and references are your friends! However, make sure you are at a safe distance from trends. They might get you the short-term engagement you’ve been craving, but they will rarely end up being pieces that genuinely mean something to you, and by extension, the audience. 

Draw from reality 

What’s better than some references you find online? The real thing, of course! Another tip for creating meaningful pencil art is to go out into the world and take your environment as a reference. Although references are helpful, they rarely show you what’s going on behind a picture. Drawing from reality will allow you to translate that picture onto your art and learn a lot more, too!

Know your medium 

In this case, your medium is a pencil drawing. Know which pencils are best for specific subjects and what type of paper you will need to produce particular results. It would help if you learned the basics, although the technique and tricks will come from experience. Try different warm-up exercises for your wrist and your brain. Switch out your usual pencil for a different one – for instance, a lead pencil for a mechanical one. Test what you’re comfortable with, and experiment with what you’re new to.

Experiment 

Last but not least, never stop experimenting – be it with different materials, new ideas, or fresh themes, don’t tie yourself down to what you’ve been creating. Keep moving and learning, and you will find what makes your art meaningful in no time! All that’s left is to put it to paper!

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